The source of the Blue Nile : $b a record of a journey through the Soudan to Lake Tsana in western Abyssinia, and of the return to Egypt by the valley of the Atbara, with a note on the religion, customs, etc. of AbyssiniaHayes, Arthur J.
Religion
The source of the Blue Nile : $b a record of a journey through the Soudan to Lake Tsana in western Abyssinia, and of the return to Egypt by the valley of the Atbara, with a note on the religion, customs, etc. of Abyssinia
Hayes, Arthur J.
Ethiopia -- Description and travel; Ethiopia -- Religion; Sudan -- Description and travel
The dry grass had been fired in places around the village, and the
flames showed impressively after nightfall, though their effect
was dimmed by the light of the moon, which was nearly full. We had
no reason to fear being burned out of our camp, for the stalks had
been beaten down all about into a matted mass. But clouds of smoke
and showers of blacks from a conflagration close by would have given
us more discomfort than we bargained for, and we watched the drift
of the fires in the light, varying winds with interest. Luckily,
trouble was not for us that night, and we turned in, with all the
contentment of the well-fed Briton, and slept in peace.
CHAPTER VII
On the morning of January 12, we fulfilled our promise to the priest
of Tschenkar and went to see the church. It has the reputation of
being an exceptionally holy place, because the Dervishes made several
attempts to burn it down when they raided the village during their
incursion after the battle of Gallabat, and their endeavour failed. I
cannot tell how the roof fared, for it was made of the ordinary thatch
used in Abyssinia when I saw it and looked very inflammable. But it
was hardly necessary to attribute the preservation of the rest of
the fabric to a miracle. In many cases the entire structure consists
of a timber framework with a covering of thatch, and I never heard
that these buildings possessed the immunity of Shadrach, Meshach,
and Abednego. But the church at Tschenkar is built in part of hard
baked mud bricks and in part of stone, and the doorways are made of
an extremely tough wood which is found in the country. This had also
furnished the beams within the building. Under these circumstances
the only marvel seems to be that the Dervishes repeated their attempt
to kindle the materials.
The church is round and stands in a circular enclosure, according to
the custom in Abyssinia. The wall of the churchyard is of stone,
and there are four entrances, facing north, south, east, and
west. Cypresses—which I did not observe in other places—were
growing in the enclosure, which, as usual, is just a small grassy
expanse. No tombstones or other monuments to the dead are seen
in it. The church also has four doors and is divided into two
parts. These do not closely correspond to nave and chancel; for the
_sanctum sanctorum_ of an Abyssinian place of worship is walled in,
and makes a third enclosure. Moreover, it does not contain an altar
but a representation of the Jewish Ark of the Covenant, which is
called a _tabot_. I shall have occasion to allude to this custom
and its origin in a later chapter.
Public-domain text, read in full here on John Shaqi.
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