The South American Republics, Part 1 of 2Dawson, Thomas Cleland
History
The South American Republics, Part 1 of 2
Dawson, Thomas Cleland
South America -- History
Pombal had not only expelled the Jesuits, but had taken effective
measures against enslaving the Indians. The latter separated themselves
from the whites, and miscegenation largely decreased. On the other hand,
the importation of negro slaves had been continued on a large scale
throughout the eighteenth century and the proportion of blacks in the
mining and sugar districts had increased. Intermixture with negroes was
stimulated by the seclusion of the white women. The young men often took
mistresses from among the slaves, and these unions sometimes subsisted
after legitimate marriage. The system of double _menages_, however,
decreased as manners became more liberal, and opportunities for social
intercourse between the sexes increased.
The more energetic Brazilians acquired the rudiments of learning in the
Jesuit schools, and a few fortunate youths were sent to the University
at Coimbra in Portugal. In the early decades of the eighteenth century
societies for the discussion of literary and scientific questions were
established in Rio and Bahia. In the centres of population little groups
of scholars began to gather who surreptitiously obtained the writings
of French and English political philosophers. Suddenly, in the latter
half of the century, a dazzling literary outburst occurred. Its seat was
not in Rio, the political, nor Bahia, the ecclesiastical capital, nor
yet in Pernambuco, the cradle of the nationality, but in Ouro Preto, the
chief place of the mining province of Minas, twenty days' journey on
muleback from the coast, and among a rude and unlettered population.
Within a few years appeared six of the foremost poets of the Portuguese
language: the lyrics, Gonzaga, Claudio, Silva Alvarengo, and Alvarengo
Peixoto, and the epics, Basilio da Gama and Santa Rita Durao. He who
writes the songs of a people rather records their history than
influences it. The writings of the Minas lyric poets are the best
documents extant on the character of the Brazilians of the colonial
period. They clearly reveal that culture was only at its beginnings;
that patriotism and national pride were indefinite and shadowy; that
religion was neither dogmatic nor absorbing; that polite society had not
come into being, and that the intellectual element entered little into
the relations of the sexes.
Public-domain text, read in full here on John Shaqi.
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