England -- Description and travel; Natural history -- England; Thomas, Edward, 1878-1917 -- Travel -- England
the moan of gorse and the creak of gates and the deeply-taken breath
of the tide at the full. Nor was it yet light when the gulls began to
wheel and wind and float with a motion like foam on a whirlpool or
interwoven snow. They wheeled about the masts of fishing-boats that
nodded and kissed and crossed in a steep cove of crags whose black
edges were slavered by the foam of the dark sea; and there were no men
among the boats or about the grey houses that looked past the walls
of the cove to the grim staircase and sea-doors of a black headland,
whose perpendicular rocks stood up far out of the reach of the wings
fashioned in the likeness of gigantic idols. The higher crags were
bushy and scaly with lichen, and they were cushioned upon thrift and
bird’s-foot trefoil and white bladder campion. It was a bristling sea,
not in the least stormy, but bristling, dark and cold through the slow
colourless dawn, dark and cold and immense; and at the edge of it the
earth knelt, offering up the music of a small flitting bird and the
beauty of small flowers, white and gold, to those idols. They were
terrible enough. But the sea was more terrible; for it was the god of
whom those rocks were the poor childish images, and it seemed that
the god had just then disclosed his true nature and hence the pitiful
loveliness of the flowers, the pitiful sweetness of the bird that sang
among the rocks at the margin of the kind earth.
Now and then the sea will startle by some resemblance to the earth.
Thus I have come unexpectedly in sight of it on a strange coast
and have not known that it was the sea. A gale from the north-east
was blowing, and it was late afternoon in mid-winter. The land was
sandy moorland, treeless and dark with iron-coloured heather. A mile
away I saw rising up into the sky what seemed a peaty mountain in
Cardiganshire, as it would be in a tempest of rain, and it was only
when I was near the cliff and could see the three long walls of white
waves towards the shore that I knew it was the sea. More common is the
calm dark-blue sea in mid-summer, over which go criss-cross bands of
lighter hue, like pale moorland paths winding about a moor.
Public-domain text, read in full here on John Shaqi.
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