England -- Description and travel; Natural history -- England; Thomas, Edward, 1878-1917 -- Travel -- England
On the open heath behind the stalls they are selling horses by auction.
Enormous cart-horses plunge out of the groups of men and animals and
carry a little man suspended from their necks; stout men in grey
gaiters and black hats bobble after. Or more decorously the animals
are trotted up and down between rows of men away from the auctioneer
and back again, their price in guineas mingling with the statement that
they are real workers, while a small boy hustles them with whip and
shout from behind, and a big stiff man leads them and, to turn them at
the end of the run, shoves his broad back into their withers. The Irish
dealers traffic apart and try to sell without auction. Their horses
and ponies, braided with primrose and scarlet, stand in a quiet row.
Suddenly a boy leads out one on a halter, a hard, plump, small-headed
beast bucking madly, and makes it circle rapidly about him, stopping it
abruptly and starting it again, with a stiff pink flag which he flaps
in its face or pokes into its ribs; if the beast refuses he raises a
high loud “whoo-hoop” and curses or growls like an animal. For perhaps
five minutes this goes on, the boy never abating his oaths and growls
and whoops and flirtings of the pink flag. The horse is led back; a
muttering calm follows; another horse is led out. Here and there are
groups of cart-mares with huge pedestalled feet and their colts, or
of men bending forward over long ash-sticks and talking in low tones.
Horses race or walk or are backed into the crowd. Droves of bullocks
are driven through the furze. Rows of bulls, sweating but silent and
quiet, bow their heads and wait as on a frieze. Again the pink flags
are flourished, and the dealer catches a horsy stranger by the arm and
whispers and shows him the mare’s teeth. This dealer is a big Irishman
with flattened face and snaky nose, his voice deep and laughing. He
smiles continually, but when he sees a possible buyer he puts on an
artful expression so transparent that his merry face shines clearly
underneath and remains the same in triumph or rebuke--is the same
at the end of the day when he leads off his horses and stopping at a
wayside inn drinks on the kerb, but first gives the one nearest him a
gulp from the tankard.
* * * * *
Public-domain text, read in full here on John Shaqi.
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