The Southern Literary Messenger, Vol. I., No. 11, July, 1835Various
General
The Southern Literary Messenger, Vol. I., No. 11, July, 1835
Various
American literature -- 19th century -- Periodicals
"Come!" he said at length, turning towards a table of richly enamelled
and massive silver, upon which were a few goblets fantastically
stained, together with two large Etruscan vases, fashioned in the same
extraordinary model as that in the foreground of the portrait, and
filled with what I supposed to be Vin de Barâc. "Come!" he said
abruptly, "let us drink! It is early--but let us drink! It is _indeed_
early," he continued thoughtfully as a cherub with a heavy golden
hammer, made the apartment ring with the first hour after sunrise--"It
is _indeed_ early, but what matters it? let us drink! Let us pour out
an offering to the solemn sun, which these gaudy lamps and censers are
so eager to subdue!" And, having made me pledge him in a bumper, he
swallowed in rapid succession several goblets of the wine.
"To dream," he continued, resuming the tone of his desultory
conversation, as he held up to the rich light of a censer one of the
magnificent vases--"to dream has been the business of my life. I have
therefore framed for myself, as you see, a bower of dreams. In the
heart of Venice could I have erected a better? You behold around you,
it is true, a medley of architectural embellishments. The chastity of
Ionia is offended by antediluvian devices, and the sphynxes of Egypt
are stretching upon carpets of gold. Yet the effect is incongruous to
the timid alone. Proprieties of place, and especially of time, are the
bugbears which terrify mankind from the contemplation of the
magnificent. _Once_ I was myself _a decorist_: but that sublimation of
folly has palled upon my soul. All this is now the fitter for my
purpose. Like these Arabesque censers, my spirit is writhing in fire,
and the delirium of this scene is fashioning me for the wilder visions
of that land of real dreams whither I am now rapidly departing." Thus
saying, he confessed the power of the wine, and threw himself at full
length upon an ottoman.
A quick step was now heard upon the staircase, and a loud knock at the
door rapidly succeeded. I was hastening to anticipate a second
disturbance, when a page of Mentoni's household burst into the room,
and faltered out, in a voice chokeing with emotion, the incoherent
words, "My mistress!--my mistress!--poisoned!--poisoned! Oh
beautiful--oh beautiful Aphrodite!"
Bewildered, I flew to the ottoman, and endeavored to arouse the
sleeper to a sense of the startling intelligence. But his limbs were
rigid--his lips were livid--his lately beaming eyes were riveted in
_death_. I staggered back towards the table--my hand fell upon a
cracked and blackened goblet--and a consciousness of the entire and
terrible truth flashed suddenly over my soul.
For the Southern Literary Messenger.
PETER'S MOUNTAIN.
An extract from the unpublished Journal of a Tourist.
Public-domain text, read in full here on John Shaqi.
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