Even women of corrupt hearts do sometimes manifest strongly the most amiable feelings and tender sympathies in their political intrigues; take, for example, the Duchess de Longueville, that bold, arbitrary, intriguing, profligate, vain, facetious heroine of the _Fronde_, who is described as making rebels by her smiles--or if that were not enough, she was not scrupulous; without principle and without shame, nothing was too much! Now "think of this same woman," says a modern writer, "protecting the virtuous philosopher Arnauld, when he was denounced and condemned; and from motives which her worst enemies could not malign, secreting him in her house, unknown even to her own servants; preparing his food herself, watching for his safety, and at length saving him. Her tenderness, her patience, her discretion, her disinterested benevolence, not only defied danger, (that were little to a woman of her temper) but endured a lengthened trial, all the ennui caused by the necessity of keeping her house, continual self-control, and the thousand small daily sacrifices which to a vain, dissipated, proud, impatient woman, must have been hard to bear." Again, let us look to the celebrated Duchess de Pompadour--the corrupt, profligate, and intriguing mistress of that weak, effeminate, heartless monarch, King Lewis XV, whose abandoned, lewd court, is so well described as plunged in the sink of corruption and debauchery, and dead to all shame of decency and morality. Even she is represented by some of the wisest men of the day, as being exceedingly kind and beneficent to her friends, or tender and sympathetic in the highest degree towards misfortune of all kinds, when the parties concerned had not in any manner wounded her feminine vanity or prejudices. How interesting even does this woman become in that scene in which Marmontel, pleading the claims of Boissy to a pension, so works on her feelings by the recital of the galling poverty of Boissy, as to make her exclaim, "Good God! you make me shudder. I'll go and recommend him to the king." Marmontel was so much influenced by her kind attentions to her personal friends, of whom he was one, that he every where speaks of her in the most grateful terms as one not only willing to do a kindness, but to do it in the most flattering, affectionate and pleasing manner, frequently adding little injunctions or recommendations, which communicated the highest pleasure whilst they imposed no heavy obligation. For example, when he applied to the king, through Mad. de P. for a favor relative to a work of his entitled the "_Poetique_," he says, "I owe this testimony to the memory of this beneficent woman, that at this simple and easy method of publicly deciding the king in my favor, her beautiful countenance beamed with joy. 'Most willingly,' said she, 'will I ask for you this favor of the king, and it will be granted.' She obtained it without difficulty, and in announcing it to me, 'You must give,' said she, 'all possible