The Southern Literary Messenger, Vol. I., No. 13, September, 1835Various
History
The Southern Literary Messenger, Vol. I., No. 13, September, 1835
Various
American literature -- 19th century -- Periodicals
I know not how long I had been in this situation, when my dreaming was
suddenly interrupted in a most singular manner. My tongs, which were
but little removed from the direct line of my vision, seemed suddenly
to become extremely uneasy. The simple, unoffending tongs, which,
except when used, had quietly occupied their allotted station in the
corner during the whole session, appeared to be seized with a strange
propensity for locomotion, and at the same time to be altering the
figure of their outward self in a manner singular, wonderful,
unaccountable. The general appearance--the "_tout ensemble_" was, it
is true, nearly the same, but still there seemed to have been effected
a certain change, which attracted my wandering attention rather more
immediately towards them. You may smile perhaps, and say that either I
was rather light headed, or that I was neither more nor less than
dreaming in reality. But there before my eyes, which were as wide
awake as they are at this moment, upon the round knob which I had so
often and so unceremoniously grasped, was as quaint and humorous a
face as ever came from the pencil of Hogarth. A slight glance now gave
me an insight into the whole figure. Imagine the long spindle legs
cased in a pair of rusty looking "shorts"--the body, what little there
was of it, surrounded by one of those comfortable old garments, which
have been, not inaptly denominated quaker coats--and the rest of the
clothing in strict keeping with a style which, all who can recollect,
or even have heard much of the good old days of our grandfathers, will
at once recognise. Just imagine, I say, this odd figure, thus
garmented up, and you will form a good idea of the general appearance
of my visiter--(For I cannot believe it was the same _boná fide_ pair
of tongs, which are now so peacefully reposing before me.) The first
glance was sufficient for an introduction. A slight start on my side,
and a familiar "at home" sort of nod on his--and all was settled. His
first motion was to seat himself on my fender, where he deliberately
crossed his legs--his first remark was on the subject that last
engaged my thoughts. A voice sweet and delightful as the first waking
notes of distant serenade, but perfectly full and distinct, stole over
my enraptured senses.
Public-domain text, read in full here on John Shaqi.
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