The Southern Literary Messenger, Vol. I., No. 2, October, 1834Various
General
The Southern Literary Messenger, Vol. I., No. 2, October, 1834
Various
American literature -- 19th century -- Periodicals
The wedding day was drawing nigh. One little week remained of the
appointed time; and a joyous man, no doubt, was colonel H----d, as hour
after hour winged its flight, and each diminished the space that lay
betwixt him and his assured felicity. Poor weak creatures that we are,
whose brief history is but a record of hope and disappointment, ever
deceived by the mirage of happiness that glitters afar in the desert of
life, and recedes from before us as we pursue, till outworn, we sink
into death with our thirst unslaked, our desires ungratified. One
little week remained. What matters the brevity of time when a moment is
fraught with power to destroy. Behold the gallant ship with tightened
cordage and outspread sails, dashing from her prow the glittering spray
as she dances on the leaping wave to the music of the breeze; cheerful
faces crowd her deck, for she is homeward bound from a distant land;
and now her port is almost reached, a hidden rock has pierced her side,
the eternal sea rolls over the sunken wreck. The warrior has charged
and broken the foe; the shout of victory rings in his ears, and fancy
twines the laurel round his brow; but treachery lurks in his armed
array, and the clarion of conquest sounds the note of defeat. The
mighty city with its thousand domes, its marble palaces, and its
crowded marts, over which ages have urged their onward flight, and
still it grew in wealth and strength, has felt the earthquake's shock.
Black mouldering ruins and a sullen sulphurous lake are left to mark
the spot where once its "splendors shone." And the heart, the human
heart, with its high aspirations, and its treacherous whisperings of
unmixed joys, its blindness of trust in coming events, its strange
forgetfulness of the hours gone by, its sunny morning of boundless
hope, its stormy night of dark despair.
Public-domain text, read in full here on John Shaqi.
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