The Southern Literary Messenger, Vol. I., No. 3, November, 1834Various
History
The Southern Literary Messenger, Vol. I., No. 3, November, 1834
Various
American literature -- 19th century -- Periodicals
chiel,--the very deil,"--but, she had a way of practising so many
little artful, innocently wicked things, and they were done in so
artless a manner, that though you would think from their effects his
satanic majesty alone was the guilty perpetrator, yet you could not
help loving his highness the more for his misdeeds. Of all things in
the world, she seemed to derive most pleasure from practising her
playfulness on friend Tim, and at every successive effort, Tim would
only exclaim, "surely the devil's in the girl! what in the devil does
she mean?" Tim had better have suffered the devil to go about his
business--but no, he kept inquiring what in the devil the girl meant,
till Cupid had him, head and ears, neck and shoulders, heart and soul,
body and life, as safe a prisoner as ever was incarcerated in a
dungeon's darkness. Little Molly was perfectly innocent of any
intention to entrap our friend; nothing was further from her thoughts;
she only intended at the outset to gratify her disposition for fun, and
she knew no more the state of her own heart than if she had been
deprived of that throbbing, thumping, turbulent member; but when
kindred hearts often sport together, and kindred eyes often meet with
kindred glances, kindred throbs will beat, awakening kindred feelings,
which some little flaxen haired, clear, blue eyed lassies find truly
difficult to obliterate.
Reader, dost thou expect me to give thee in black and white my hero's
courtship? Of all the things in the world, the most tame and insipid
are lovers' courtships,--it may be the most interesting, animating,
soul-stirring, thrilling courtship that ever mortal breathed, but canst
thou enter into the feelings and go along with the heart in its gentle
outpourings? 'Tis not words, sentences, nor ideas, clothed in the dress
of fancy, or robed in imagination's best attire. 'Tis the look, the
touch, the action, that constitutes the universal language of love none
can misunderstand.
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