The Southern Literary Messenger, Vol. I., No. 5, January, 1835Various
History
The Southern Literary Messenger, Vol. I., No. 5, January, 1835
Various
American literature -- 19th century -- Periodicals
According to your request and my propensity to scribbling, I intend to
be very circumstantial in my details. Pray don't grow tired of them, or
if you do, keep it a secret, and my vanity may prevent my suspecting
such a misfortune. Mamma gives me great credit for being so industrious
with my pen. Sigismund and Edgar keep a journal; but that requires more
exactness than I possess, so I prefer writing a letter when the humor
takes me. We have been out _sight seeing_, every morning and afternoon,
until to-day. A brisk rain now confines us to the house, and affords me
leisure for again conversing with you. I will commence my agreeable
task with a description of the town. Its environs are beautiful, but
the interior rather gloomy--the streets are generally so narrow and the
houses so old. It was formerly surrounded by walls and moats; the walls
have been pulled down, and the moats filled up and converted into
public walks. At Rouen, the ancient Dukes of Normandy held their
courts, and it contains many vestiges of their magnificence. The palace
of justice is a vast Gothic structure of the reign of Louis the
Twelfth. Beneath it are prisons, to which they were conducting two
culprits as we entered. One of its various halls is of immense extent,
and has a singular vaulted ceiling, that reminds you of the hulk of a
vessel reversed--a comparison by the by, that is not original with me.
The venerable cathedral, with its lofty spire and painted windows,
engaged us a long while. The spire is three hundred and eighty feet
high, and visible seven or eight leagues. There are two towers; one of
them denominated the _butter_ tower, because the expense of erecting it
was defrayed with money that had been paid by the people for permission
to eat butter during lent! It contained an enormous bell, nearly equal
in size to that at Moscow, and the founder of it is said to have died
in an ecstacy at its completion. This wonderful bell was destroyed
during the revolution. Many illustrious persons are buried in the
cathedral. Among them, Henry the Fifth of France, Richard Cour de Lion,
the Duke of Bedford, and the Cardinals of Amboise. The monument of the
two Cardinals is superb, and covered with arabesque work. They are
represented kneeling on its summit. Above them is a gilded equestrian
statue of St. George, their patron; below them (ranged in niches on the
front of the tomb,) are small marble figures, emblematical of the
virtues they possessed. Opposite this mausoleum is another, equally
remarkable. It is dedicated to the Grand Senéschal Brezé, the husband
of Diana of Poitiers, and governor of Rouen in the sixteenth century.
Of the numerous statues that adorn this tomb, that which represents the
Senéschal as an extended corpse is the most striking, and it is
inimitably executed. The pinched nose, tight drawn skin, hollow cheeks,
and sunken eyes, give it the exact appearance of a dead body. Over the
grand altar of the church hangs a fine painting, by Philip de
Public-domain text, read in full here on John Shaqi.
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