_umbra_, who is introduced as one of the guests, is a species of animal not peculiar we believe, to the Roman age. Society has in all ages abounded in parasites and toadies, who, for the sake of a plentiful repast and _fashionable_ company, have very willingly echoed the sentiments of a rich patron. Glaucus, one of the principal personages in the tale, had assembled a small party to partake of his luxurious bounty,--and the chapter opens with a fine description of the host himself. We introduce it to our readers. * * * * * Heaven had given to Glaucus every blessing but one: it had given him beauty, health, fortune, genius, illustrious descent, a heart of fire, a mind of poetry; but it had denied him the heritage of freedom. He was born in Athens, the subject of Rome. Succeeding early to an ample inheritance, he had indulged that inclination for travel so natural to the young, and had drunk deep of the intoxicating draught of pleasure, amid the gorgeous luxuries of the imperial court. He was an Alcibiades without ambition. He was what a man of imagination, youth, fortune and talents readily becomes when you deprive him of the inspiration of glory. His house at Rome was the theme of the debauchees, but also of the lovers of art; and the sculptors of Greece delighted to task their skill in adorning the porticoes and _exedra_ of an Athenian. His retreat in Pompeii--alas! the colors are faded now, the walls stripped of their paintings!--its main beauty, its elaborate finish of grace and ornament, is gone; yet when first given once more to the day, what eulogies, what wonder did its minute and glowing decorations create--its paintings--its mosaics! Passionately enamoured of poetry and the drama, which recalled to Glaucus the wit and the heroism of his race, that fairy mansion was adorned with representations of Æschylus and Homer. And antiquaries, who resolve taste to a trade, have turned the patron to the professor, and still (though the error is now acknowledged) they style in custom, as they first named in mistake, the disburied house of the Athenian Glaucus, "THE HOUSE OF THE DRAMATIC POET." Previous to our description of this house, it may be well to convey to the reader a general notion of the houses of Pompeii, which he will find to resemble strongly the plans of Vitruvius; but with all those differences, in detail, of caprice and taste which, being natural to mankind, have always puzzled antiquaries. We shall endeavor to make this description as clear and unpedantic as possible.