The Southern Literary Messenger, Vol. I., No. 5, January, 1835Various
History
The Southern Literary Messenger, Vol. I., No. 5, January, 1835
Various
American literature -- 19th century -- Periodicals
"Not at all!" exclaimed Glaucus; "the pleasure of your gain compensates
the pain of my loss."
The conversation now became general and animated; the wine circulated
more freely; and Ione once more became the subject of eulogy to the
guests of Glaucus.
"Instead of outwatching the star, let us visit one at whose beauty the
stars grow pale," said Lepidus.
Clodius, who saw no chance of renewing the dice, seconded the proposal;
and Glaucus, though he civilly pressed his guests to continue the
banquet, could not but let them see that his curiosity had been excited
by the praises of Ione; they therefore resolved to adjourn (all at
least but Pansa and the umbra) to the house of the fair Greek. They
drank, therefore, to the health of Glaucus and of Titus--they performed
their last libation--they resumed their slippers--they descended the
stairs--passed the illumined atrium--and walking unbitten over the
fierce dog painted on the threshold, found themselves beneath the light
of the moon just risen, in the lively and still crowded streets of
Pompeii. They passed the jewellers' quarter, sparkling with lights,
caught and reflected by the gems displayed in the shops, and arrived at
last at the door of Ione. The vestibule blazed with rows of lamps;
curtains of embroidered purple hung on either aperture of the tablinum,
whose walls and mosaic pavement glowed with the richest colors of the
artist; and under the portico which surrounded the odorous viridarium
they found Ione already surrounded by adoring and applauding guests.
"Did you say she was Athenian?" whispered Glaucus, ere he passed into
the peristyle.
"No, she is from Neapolis."
"Neapolis!" echoed Glaucus; and at that moment, the group dividing on
either side of Ione gave to his view that bright, that nymph-like
beauty which for months had shone down upon the waters of his memory.
* * * * *
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