The whole was surmounted by a pair of mustaches of the same tanned-leather color; which so completely obscured the countenance, that not a particle of it was discernible but the two lack-lustre eyes; and _the nose_, like a sort of watch-tower overtopping the wilderness of shaggy hair by which it was surrounded. It is the recollection of this never to be forgotten figure of an entire stranger, seen for the first and probably the last time in my life, which induced me to claim for the Dandyism of the present day, a decided superiority over that of the by-gone times; at least so far as the disfigurement of the countenance can go towards the establishment of so enviable a claim. That it is indisputable, I think certain; for neither in the pictures nor histories of past ages which have reached us, can any thing be found at all comparable to what I have just endeavored to describe, but in language so inadequate, that I am almost ashamed to send you this communication. The bodily disfigurements of our modern Dandies having a great degree of sameness in them, and being matters of general notoriety, 'tis needless to particularise them. But to give you an opportunity of judging whether I have unjustly charged them with poverty of invention, when compared with their prototypes of the olden time, I beg leave to present you with the description of an English Dandy of the fourteenth century. It is taken from Dr. Henry's History of England, and he quotes Camden, Chaucer, and Street, as his authorities. "He wore long-pointed shoes, called _crackowes_ the upper parts of which were cut in imitation of a church-window. The points of these were fastened to his knees by gold or silver chains. He had hose of one color on one leg, and of another color on the other; short breeches which did not reach to the middle of his thighs, and disclosed the shape completely; a coat, one half white, and the other half black or blue; a long beard; a silk hood buttoned under his chin, embroidered with grotesque figures of animals, dancing men, &c. and sometimes ornamented with gold, silver, and precious stones. This dress, which was the very top of the mode in the reign of Edward the Third, appeared so ridiculous to the Scots, (who probably could not afford to be such egregious fops,) that they made the following satirical verses upon it: "Long beards hirtiless, Peynted whoods witless, Gay coats gracelies, Maketh England thriftlies."