The Southern Literary Messenger, Vol. I., No. 7, March, 1835Various
History
The Southern Literary Messenger, Vol. I., No. 7, March, 1835
Various
American literature -- 19th century -- Periodicals
We have taken no pleasure in this free commentary upon the work before
us, and have only been induced to make it by a sense of duty. Its
author is evidently afflicted with a kind of rabid propensity to write
works of fiction; and, if he is resolved to gratify it, we do most
earnestly entreat him for his own sake and for the sake of his native
state, to invoke hereafter a little more reflection, a purer taste,
and a more enlightened judgment in aid of his labors.
* * * * *
VATHEK.
The publisher having sent a copy of the above work to a correspondent
in whose literary attainments, taste and discrimination we place great
confidence, received the following criticism from his pen:
I thank you for Vathek, which I have read _purely_ because you sent it
to me; otherwise it would have remained unread by me forever. I see
nothing "_sublime_" in the work; on the contrary, I was disgusted at
its impurity. A more revolting _jumble of nonsense_, _ridiculous
conceptions_, _debasing exhibitions_, and _corrupt imaginings_, I
never met with in my life. This may perhaps be somewhat redeemed by
the oriental descriptions, which were pronounced by Lord Byron, I
think, to be excellent. Or this I cannot judge; but if the book were
intended, as it seems to be, to inculcate the lesson of the impiety of
looking into matters which are too high for us, the moral loses all
its force, from the very great corruption of the characters of Vathek
and Carathis, who certainly were most justly lodged in Hell, as the
fittest place for such useless and abominable wretches. We feel no
sympathy for them, when we find them with their hearts on fire; and as
for the contrast of the happiness of Gulchenrouz, we care as little
about him, for his happiness was certainly undeserved by any thing he
had done, so far as we are made acquainted with him. There is such a
singular mixture of comic and serious, that one is at a loss to know
what the author would be at. What think you, for instance, of the game
at football? of Aboulfakir the camel, having a taste for solitude and
snorting at the sight of a dwelling, and Cafour's predilection for
pestilence? &c. &c. I am quoting now from memory, and have not the
patience to look at the book to see if I am right.
A learned English reviewer is not less severe upon this lauded
production of juvenile years. After quoting Lord Byron's eulogy upon
the work, he says--
Public-domain text, read in full here on John Shaqi.
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