The Southern Literary Messenger, Vol. I., No. 7, March, 1835Various
History
The Southern Literary Messenger, Vol. I., No. 7, March, 1835
Various
American literature -- 19th century -- Periodicals
The former minister of the village left a maiden sister as a kind of
legacy to his congregation. My husband had been a protegee and pupil
of the good man, who, on his death-bed, bequeathed his people to the
charge of this son of his adoption, and _him_, with equal tenderness
and solemnity, to the care of his venerable sister. She became a
fixture in the parsonage, and to me a perpetual and increasing
torment. The first month of our marriage, she was absent, visiting
some of her seventh cousins in a neighboring town. I do not wish to
exculpate myself from blame; but, if ever there was a thorn in human
flesh, I believe I had found it in this inquisitive, gratuitously
advising woman. I, who had always lived among roses, without thinking
of briars, was doomed to feel this thorn, daily, hourly, goading me;
and was constrained to conceal as much as possible the irritation she
caused, because my husband treated her with as much respect as if she
were an empress. I thought Mr. L---- was wrong in this. Owing to the
deep placidity of his own disposition, he could not realize what a
trial such a companion was to a mercurial, indulged, self-willed being
as myself. Nature has gifted me with an exquisite ear for music, and a
discord always 'wakes the nerve where agony is born.' Poor aunt Debby
had a perfect mania for singing, and she would sit and sing for hours
together, old fashioned ballads and hymns of surprising
length--scarcely pausing to take breath. I have heard aged people sing
the songs of Zion, when there was most touching melody in their tones;
and some of the warmest feelings of devotion I ever experienced, were
awakened by these solemn, trembling notes. But aunt Debby's voice was
full of indescribable ramifications, each a separate discord--a sharp
sour voice, indicative of the natural temper of the owner. One Sunday
morning, after she had been screeching one of Dr. Watts' hymns, of
about a hundred verses, she left me to prepare for church. When we
met, after finishing our separate toilettes, she began her
animadversions on my dress, as being too gay for a minister's wife. I
denied the charge; for though made in the redundance of fashion, it
was of unadorned white. 'But what,' said she, disfiguring the muslin
folds with her awkward fingers, 'what is the use of all these
fandangles of lace? They are nothing but Satan's devices to lead
astray silly women, whose minds are running after finery.' All this I
might have borne with silent contempt, for it came from aunt Debby;
but when she brought the authority of a Mrs. Deacon and a Mrs. Doelan
of the parish to prove that she was not the only one who found fault
with the fashion of my attire, the indignant spirit broke its bounds;
deference for age was forgotten in the excitement of the moment, and
the concentrated irritation of weeks burst forth. I called her an
impertinent, morose old maid, and declared that one or the other of us
should leave the parsonage. In the midst of the paroxysm, my husband
Public-domain text, read in full here on John Shaqi.
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