It will not be wondered that I could not sleep, yet my fellow travellers seemed unannoyed. I fell into a train of profound thought upon the causes of the various cadences of different noses, and puzzled myself upon the shapes and dimensions suitable to produce certain simple or compound tones in the concert. In following out these reflections, I wondered what description of music I must make myself, and could not but wish to hear myself snore--(a thing I believe impossible.) I could not avoid handling my own nose, to fix according to my imperfect theory, the extent and character of its musical capacity. By an association of ideas, the consideration of this question brought back to my mind the prophecy of aunt Deborah. I pondered upon it until the reflections which it suggested became painful. I endeavored to banish it from my thoughts, but could not entirely succeed. After a considerable time, I fell into a kind of _snooze_--a state which was neither absolute sleeping or waking--a kind of conscious unconsciousness, partaking of both in nearly equal degrees. Visions of imaginary objects glanced before me, which seemed to partake of or to be blended with the scene and sounds around me. Dim figures came and went between me and the lamp, hanging at the extremity of the cabin, on which my eye was fixed. Among these beings my aunt Deborah two or three times made her appearance; her starch'd cap, peaked nose, and keen grey eye, were not to be mistaken. I could identify even her tortoise snuff-box, which seemed as new as when I saw it ten years ago. Her look was rigid and menacing, and seemed to bode me no good--for I dreaded a lecture. These objects were the materials of dreams:--active thought and volition had nothing to do with their production. Yet my eyes were open,--my senses were awake. I could see and mark the motion of the red curtains, swinging to and fro--I still heard the unwearied nasal minstrelsey to which I have alluded, as distinctly as before.