The Southern Literary Messenger, Vol. I., No. 8, April, 1835Various
General
The Southern Literary Messenger, Vol. I., No. 8, April, 1835
Various
American literature -- 19th century -- Periodicals
Before we can perceive what is beautiful in art, we must comprehend
what is beautiful in nature; and without entering into the abstruse
question of _beauty_, which has so much divided the erudite in all
ages, we may say, that every thing from the hand of the Creator is
beautiful in its _proper place_: and it is precisely this, that is
beautiful in art. But to know the place where beauteous nature lurks,
and to trace the harmony and fitness of every object to the part it
supplies in the picturesque of scenery, requires a mind
"----by nature's charms impress'd,
An ardor ever burning in the breast,
A zeal for truth, a power of thought intense;
A fancy, flowering on the stems of sense;
A mem'ry as the grave retentive, vast
That holds to rise again, the imprison'd past."
Beauty is not confined to the waving line of Hogarth, or to objects
smooth and soft, as Mr. Burke thought, but is multiform in nature, and
therefore admits of a diversity of tastes; yet it is not an arbitrary
principle subject to the fancy of every individual, but like harmony
in music, it vibrates on the imagination and affections of a
cultivated mind, as doth the octave in a well tuned instrument;--the
tutored ear perceives the slightest discordance in sounds, and the
cultivated eye detects with equal facility the want of harmony in art
or nature. It has been said "that the peasant youth, would require
more red in the cheek of his beauty, than would be agreeable to a man
of cultivated taste," and the inference was, "that the delicate is
more beautiful than the florid," but in fact, they are each beautiful
in their _place_. In rustic life, amidst the scenes of the vintage, in
the hay field, or milking the cow--how beauteous is the flush and
healthful bloom of the cottage maiden! The ruby lip and liquid
laughing eye bespeak the joyous heart, pleased with its vocation.
Here, the delicate and courtly dame of polished life would appear
unequal to the task; would be incongruous to the scene, and as much
out of place as epic verse in pastoral poetry;--yet in her proper
sphere
"----those downcast eyes, sedate and sweet
Those looks demure, that deeply pierce the soul,
Where, with the light of thoughtful reason mix'd
Shines lively fancy and the feeling heart,"
she moves the attractive star of cultivated taste.
Public-domain text, read in full here on John Shaqi.
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