The Southern Literary Messenger, Vol. I., No. 8, April, 1835Various
General
The Southern Literary Messenger, Vol. I., No. 8, April, 1835
Various
American literature -- 19th century -- Periodicals
When the waltz first made its appearance in this country, it was
exhibited only on the public stage, and _even there_ met with almost
universal reprobation, except from a few reckless profligates, whose
sole object in life is mere sensual indulgence. None so much as
surmised that such a dance could ever be introduced into private
society. At last, a few adventurous foreigners succeeded in
introducing it into private parties: but, for a considerable time,
_they themselves_ were the only performers. It was long before our
country-women could so far forget the early lessons of decorum, self
respect, and modesty, taught them by their mothers, as to make that
public display and spectacle of their persons, which must unavoidably
be made, in waltzing at all, if executed as the fashion required. But
these most natural and laudable feelings, which caused them to revolt
at such an innovation, such an outrage against all their preconceived
notions of propriety, have gradually yielded to the almost resistless
force of example "_in high places_," until the waltz has not only
domiciliated itself permanently in nearly all our towns and cities,
but has enlisted in its defence many bold country advocates. The few
ladies, (comparatively speaking,) among us, who yet have firmness and
moral courage enough, to resist what they deem a very pernicious
example, cannot, I fear, long maintain their most laudable opposition,
against such a host of assailants. Even _you_, Mr. Editor, (if you
will pardon my freedom in making the remark,) seem a little
inclined--judging by some late comments of your's upon waltzing--to
submit to the practice without further resistance.
Public-domain text, read in full here on John Shaqi.
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