On the other hand, when vanity is excessive, or badly regulated, woman is too apt to substitute art for nature, and to attempt to impose upon the world by outward show and hollow pretensions; to manage and intrigue for the purpose of carrying her plans, and consummating her schemes; and when in danger of detection, she has recourse to evasions and devices, which in the end may produce the character of falsehood and hypocrisy. "A person (says Adam Smith,) who has excessive vanity, in attempting to win the applause of those around him, is apt to fall into the practice of lying, but the lies are not of a black or very hurtful character to society; they are intended to deceive you, and make you think more of the person who tells them, and not to injure others; whereas a proud man but rarely lies, and when he does, it is apt to be a dark and malicious falsehood, which he tells; one intended for the injury of others, not for the exaltation of himself." It is badly regulated vanity, which produces that character for cunning, which Rousseau considered one of the distinguishing characteristical traits in the female. He was so much impressed with the predominance of this trait in woman's character, that he was disposed to attribute it, (I think falsely,) rather to nature than to circumstances and education. He tells us of the following device, practiced by a girl of six years old, who had been strictly forbidden to ask for any thing at table. For the purpose of inducing her parents to help her to a dish which she had not tasted, she pointed her finger at the several dishes, saying, I have eaten of that, and of that, &c. until she came to the one of which she had not eaten, passing that by in silence. A cunning hint was thus given to the parents, without violation of their commands, that she would like to be helped to it. This little stratagem Rousseau thinks far beyond what a boy of the same age would have planned, and hence he comes to the conclusion, that "_La ruse est un talent naturel au sex_"--he thinks this a wise dispensation of nature, for, says he, "La femme a tout contre elle nos defauts, sa timidité, sa faiblesse; elle n'a pour elle que son art et sa beaute. N'est il pas juste qu'elle cultive l'un et l'autre?" When these devices and stratagems, which the softer sex practice for the attainment of their ends, become too apparent, they disgust; when well concealed, they frequently succeed: but honesty here, as every where, will prove to be the best policy; and I cannot agree with Rousseau, that generally they are advantageous to those who practice them: they always endanger more or less the character of the individual. In spite, however, of all our caution and advice on this subject, in the little concerns of life, and the petty tactics of the drawing and ball rooms, woman will always display more skill and cunning than man. These are the scenes with which she is more conversant, and which she studies far more deeply than he.