The Southern Literary Messenger, Vol. I., No. 9, May, 1835Various
History
The Southern Literary Messenger, Vol. I., No. 9, May, 1835
Various
American literature -- 19th century -- Periodicals
may say what they please, about those only opposing this capering
vice, who cannot dance themselves. They may tell us, that Lord Byron
wrote his fretful satire upon waltzing, because his lordship could not
participate in that fashionable dance, owing to his _club foot_. They
may preach, that the ignorant alone complain of those accomplishments
which they cannot attain themselves; that the dances in practice, from
time immemorial, among our ancestors, were equally objectionable as
those we now adopt and admire, which certain bold critics, going
beyond their province, dare to denounce as dangerous innovations,
savoring of foreign modes and manners, licentious and demoralizing.
All this will not do, Mr. Editor. Dancing is dangerous, and _the waltz
especially_: and a virtuous and intelligent community will unite, I
feel assured, to frown these vicious amusements out of society, and
consign them to the barbarous regions whence they were so irreverently
introduced among us.
This mania for dancing, waltzing, &c., is the bane of every social
circle. Do you go to pass the evening sociably with your friend, where
you have a vague instinctive idea you will meet the pretty creature
you passed in the street, on the Thursday previous--you will
enter--your fondest anticipations are realized--you draw your chair
towards her, and fall into a charming tete-a-tete, with the dear
object for whom you already conceive a nascent passion--who has made
you lose a whole week's sleep, break your mirror, tear your black silk
_bonnet de nuit_ into fragments, and kick your faithful _valet de
chambre_ down stairs, because your laundress has failed to impart the
due degree of rigidity to your collar linen. Now you promise yourself
a full indemnity for all the _contre-temps_ of the past week--you are
just arranging a most pleasant excursion with the lady the next
afternoon, when, alas! the vanity of human hopes! an impertinent
coxcomb, whose only merit consists in a well arranged dress and
capacious whiskers, demands the honor of the lady's hand for the next
waltz. Odious, detested waltz! You have too much taste to dance
yourself: your _inamorata_, however, must yield to the unrelenting
tyranny of fashion, and you are left in a posture of _amiable_
abstraction, musing on the provoking scene enacting before you. To sit
quietly and await the termination of the dance, might not be an
unattainable effort of patience; but to see her partner's place
supplied again and again--you take leave of hope and the company
together, and pass the next week to the manifest infringement of your
own peace of mind, and your aforesaid ill-fated valet's physical
comforts.
Public-domain text, read in full here on John Shaqi.
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