The Southern Literary Messenger, Vol. I., No. 9, May, 1835Various
History
The Southern Literary Messenger, Vol. I., No. 9, May, 1835
Various
American literature -- 19th century -- Periodicals
We might suspect that something of a zeal for the honor of the Romish
Church had mingled itself in the rich coloring of this picture. But
Manzoni was as much alive, as Luther himself, to the abuses of that
church. In an episode, which will be found at page fifty-eight, he
discloses some, of the precise character of which we were not hitherto
aware. We knew that something was wrong, but what that something might
be, was never certainly known. The author has unveiled the mystery. He
has withdrawn a curtain, behind which we had never been permitted to
look. We had guessed, and we had read the guesses of others; but we
never knew precisely what was there. The moral coercion, more cruel
than bodily torture, by which a poor girl, the victim of the heartless
pride of her parents, without command, without even persuasion, (for
both it seems are forbidden) is driven to the cloister, that her
brother may have more ample means to uphold his hereditary honors;
this was a thing inscrutable and inconceivable to us. In reading such
works as Mrs. Sherwood's Nun, we feel that we are dealing with
conjectures. We turn to the scene exhibited in this work, and we
_know_ it to be real life. We would gladly grace our pages with it. It
would probably be read with more interest than any thing we can say;
but it is before the public, and we have no right to discharge our
debts to our readers, by giving them what is theirs already. We will
only pray their indulgence so far as to offer a short extract, as a
specimen of the writer's power. It is a picture of some of the horrors
of the plague, as it raged in Milan in the year 1628. It may serve to
show us that the pestilence, which lately stooped upon us, was in
comparison, an angel of mercy.
The cars spoken of in the following extract, are those in which the
uncoffined bodies of the dead were borne to a common receptacle,
"naked for the most part, some badly wrapped up in dirty rags, heaped
up and folded together like a knot of serpents." The "monalti" were
men who, having had the plague, were considered exempt from future
danger, and were employed to bury the dead.
Public-domain text, read in full here on John Shaqi.
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