The Southern Literary Messenger, Vol. I., No. 9, May, 1835Various
History
The Southern Literary Messenger, Vol. I., No. 9, May, 1835
Various
American literature -- 19th century -- Periodicals
custom, to delay as long as possible the main interest of a novel--no
doubt with the very laudable intention of making it the more intense
when it does at length arrive. Now for our own parts we can see little
difference in being amused with the beginning or with the end of a
book, but have a decided preference for those rare volumes which are
so lucky as to amuse us throughout. And such a book is the one before
us. We enter _at once_ into the spirit and meaning of the author--we
are introduced _at once_ to the prominent characters--and we go with
them _at once_, heart and hand, in the various and spirit-stirring
adventures which befall them.
Horse-Shoe Robinson, who derives his nick-name of Horse-Shoe (his
proper _prænomen_ being Galbraith)--from the two-fold circumstance of
being a blacksmith, and of living in a little nook of land hemmed in
by a semi-circular bend of water, is fullly entitled to the character
of "an original." He is the life and soul of the drama--the bone and
sinew of the book--its very breath--its every thing which gives it
strength, substance, and vitality. Never was there a rarer fellow--a
more laughable blacksmith--a more gallant Sancho. He is a very prince
at an ambuscade, and a very devil at a fight. He is a better edition
of Robin Hood--quite as sagacious--not half so much of a coxcomb--and
infinitely more moral. In short, he is the man of all others we should
like to have riding by our side in any very hazardous expedition.
We think Mr. K. has been particularly successful in the delineation of
his female characters; and this is saying a great deal at a time when,
from some unaccountable cause, almost every attempt of the kind has
turned out a failure. Mildred Lindsay, in her confiding love, in her
filial reverence, in her heroic espousal of the revolutionary cause,
not because she approved it, but because it was her lover's, is an
admirable and--need we say more?--a truly _feminine_ portrait. Then
the ardent, the eager, the simple-minded, the generous and the devoted
Mary Musgrove! Most sincerely did we envy John Ramsay, the treasure of
so pure and so exalted an affection!
Public-domain text, read in full here on John Shaqi.
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