repeat what we have said before, that there is much to admire and much to condemn in this work--enough of the former to render it one of the most attractive (as it is one of the most original) that has recently issued from the press; and in censuring its faults it will be but justice to bear in mind a sentiment of Mrs. B.; "After all, if people generally did but know the difficulty of doing well, they would be less damnatory upon those who do ill." p. 114, vol. i. [Footnote 3: This position has been beautifully illustrated by some modern English writer, but by whom we have forgotten. Mrs. Butler is fully aware of the intoxicating nature of the applause bestowed on actors, and speaks most sensibly on the subject, although she is probably unconscious of its full effects upon her own feelings, and manner of thinking and writing. "Excitement," says she, "is reciprocal between the performer and the audience; he creates it in them, and receives it back again from them: and in that last scene in Fazio, half the effect that I produce is derived from the applause which I receive, the very noise and tumult of which tends to heighten the nervous energy which the scene itself begets." The idea is farther carried out in the following striking passage: "The evanescent nature of his triumph, however an actor may deplore it, is in fact but an instance of the broad moral justice by which all things are so evenly balanced. If he can hope for no fame beyond mere mention, when once his own generation passes away, at least his power, and his glory, and his reign is in his own person, and during his own life. There is scarcely to be conceived a popularity for the moment more intoxicating than that of a great actor in his day, so much of it becomes mixed up with the individual himself. The poet, the painter, and the sculptor, enchant us through their works; and with very, very few exceptions, their works, and not their very persons are the objects of admiration and applause; it is to their minds we are beholden; and though a certain degree of curiosity and popularity necessarily wait even upon their bodily presence, it is faint compared with that which is bestowed upon the actor; and for good reasons--he is himself his work. His voice, his eyes, his gestures, are his art, and admiration of it cannot be separated from admiration for him. This renders the ephemeral glory which he earns so vivid, and in some measure may be supposed to compensate for its short duration. The great of the earth, whose fame has arisen like the shining of the sun, have often toiled through their whole lives in comparative obscurity, through the narrow and dark paths of existence. Their reward was never given to their hands here,--it is but just their glory should be lasting." Vol. ii. pp. 61-62.] EDITORIAL REMARKS.