turns, although in a very slovenly way, the character of a Methodist preacher, of a pedlar, of a Quaker, and of a French dancing master. Elsie Bell, the old witch, prophecies, predicates, and prognosticates; and in short matters begin to assume a very serious and inexplicable aspect. Hyland Gilbert _alias_ Herman Hunter, the painter, is drawn into an involuntary connection with his supposed brother Oran, the refugee, and some circumstances coming to light not very much to his credit, he is obliged to flee from the mansion of the gallant Captain--not, however, until he has declared his passion for the daughter, into the ear of the daughter herself. Through the instigation of Harriet Falconer, the day is at length fixed for the marriage of her brother Henry with Catherine Loring. Accident delays the ceremony until night, when, just as the lady is hesitating whether she shall say _yes_, or _no_, the tall gentleman ycleped Sterling who has managed, no one knows how, to install himself as major-domo, chief fiddler, and master of ceremonies at the wedding, takes the liberty of knocking the bridegroom on the head with his violin, while Oran, the refugee, jumps in at one window with a gang of his followers, and Hyland Gilbert, _alias_ Herman Hunter, the painter, popping in at another, carries off the bride at a back door _nemine contradicente_. The bird being flown, the hue and cry is presently raised, and the whole county starts in pursuit. But the affair ends very lamely. Precisely at the moment when Hyland Gilbert, _alias_ Herman Hunter, the painter, has carried his mistress beyond any prospect of danger from pursuit, he suddenly takes it into his head, to change his mind in relation to the entire business, and so, turning back as he came, very deliberately carries the lady home again. He himself, however, being caught, is sentenced to be hung--all which is exceedingly just. But to be serious.