The Southern Literary Messenger, Vol. II., No. 1, December, 1835Various
General
The Southern Literary Messenger, Vol. II., No. 1, December, 1835
Various
American literature -- 19th century -- Periodicals
what we say upon this head is very far from exaggeration.
Jasper Meredith, considered as an actual entity, is, as we have
already said, a heartless, calculating coxcomb--with merely a spice of
what we may call susceptibility to impressions of the beautiful, to
redeem him from utter contempt. As a character in a novel, he is
admirable--because he is accurately true to nature, and to himself.
His perfidy to Bessie (we shall never forget Bessie) meets with
poetical justice in a couple of unsuccessful courtships, (in each of
which the villain's heart is in some degree concerned,) and in a final
marriage with a flirt, Helen Ruthven, who fills him up, with a
vengeance, the full measure of his deserts. Mrs. Meredith is a
striking picture of the heartless and selfish woman of fashion and
aristocracy. Kisel, the servant of Eliot Lee, is original, and, next
to Bessie, the best conception in the book. He is a simple, childish,
yet acute and affectionate fool, who follows his master as would a
dog, and finally dies at his feet under circumstances of the truest
pathos. While Miss Sedgwick can originate such characters as these,
she need apprehend few rivals near the throne.
We cannot pass over in silence a little episode in which a blind child
is torn away at night from a distracted mother, by one of the
notorious bands of _Skinners_ infesting the country. The mother's
house is set on fire by the robbers, in their search after plunder;
but her most valuable property having been previously removed to New
York, the exasperated ruffians seize and bear off the fainting child,
with the view of extorting money for its ransom. Eliot Lee, aided by
General Putnam, rescues the child, and restores it to the mother. This
whole incident is worthy of Miss Sedgwick.
We have mentioned the name of Putnam,--he as well as Washington,
Lafayette, Clinton, and some other well-known personages are
familiarly introduced in the narrative, but are simply accessories to
the main interest, and very little attempt is made at portraying their
historical characters. Whatever _is_ done, however, is well done.
Public-domain text, read in full here on John Shaqi.
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