The Southern Literary Messenger, Vol. II., No. 10, September, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 10, September, 1836
Various
American literature -- 19th century -- Periodicals
Early the next morning I found myself mounted on the back, or to be
more exact, I should say something like a half mile _above_ the back,
of an animal which I had at first some difficulty in naming. In all my
life, (albeit something of an equestrian, as _you_ know,) I was never
so put to it to take an advantage of my knowledge of horsemanship.
Conceive me placed high above a tall raw-boned mule's back, (the
saddle one of the old Saracenic or Moorish pattern, fastened by a
multiplicity of strands, made of hair rope, to a ring tied to the
saddle by a single loop of leather,) and at the mercy of this single
string to guide not one of the gentlest of beasts, reminding the
reader of Peter Pindar of the ass, “with retrograding rump and
wriggling tail,” jumping alternately to each side of the street, and
occasionally turning round and kicking sidewise, like a cat in search
of her tail, or a dog vainly attempting to rid himself of the
_addendum_ of a tin-kettle! What a merry figure I must have cut!
My mule was a picture in himself. I have already called him
raw-boned,—and you may deduce his _coup d'œil_ from this attribute.
Add, however, the details of the beast, and you shall acknowledge that
he was _sui generis_. His ears stuck straight out to the front, sure
sign of wicked intentions, and the nose was curled into a thousand
ill-natured wrinkles. The horse-cloth was made like a hearth-rug,
heavy, matted, and thick, and on the top of that was placed a straw
pad about four inches thick, to prevent the pressure of the saddle
from hurting him. Surmounting this mountainous ridge was the saddle
itself, and such a one! It was the real demipique of the middle ages,
and was doubtless two hundred years old itself. The leather was
originally a bright tan-color, but was now grown black and glossy by
age and wear, and as hard as if made of iron. So hard was it that I
turned the edge of my knife, in endeavoring to cut a strap which gave
way during my ride. On this pyramidal pinnacle, which I have described
stone by stone, as it were, behold me seated. The reins are handed me
by the groom, who undertakes the whole guidance and direction of the
process of mounting, as any departure from his regulations in this
respect would result in the total overthrow of the whole mass upon
which the rider is doomed to sit. Being mounted, I discovered that the
stirrups were thrown over the saddle, and the strap connecting them
tied in a knot, beside which was another, formed by the tying of the
girth in a similar manner; this last being improved by the strap of
the crupper brought through a hole behind in the saddle and made fast
to the pommel. All these knots (reminding me of Obadiah's in “Tristram
Shandy,”) stood up in front and rear, and as there was no pad above as
there was below, to prevent the manifold injuries that were like to
result to the rider upon such an establishment, you may judge of the
Public-domain text, read in full here on John Shaqi.
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