The Southern Literary Messenger, Vol. II., No. 10, September, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 10, September, 1836
Various
American literature -- 19th century -- Periodicals
Panama—A Scotsman—Architecture—A Gold Story—Tobago—A Beauty—The
Sketcher in Love—The way to live on Pine Apples—Snakes—A Perilous
Bath.
I arrived at Panama in eight hours, an astonishingly short time
considering the roads, and as there are no boarding or lodging houses
in the town, I made my way at once to the grand square, where I had a
letter of introduction to a braw Scot, Mr. McK——, who received
me like a brother Briton. His hospitality displayed itself in some
novel ways. As my luggage was still on the road, I was stripped and
bathed in brandy, to counteract the effects of a severe wetting I had
received on my journey, and equipped _cap à pie_ from the wardrobe of
mine host. He was very tall, and his linen trowsers hung around me “as
a purser's shirt upon a handspike,” to use a nautical simile of more
expressiveness than elegance. I was indebted to my new friend even for
the loan of a hat, mine having been substituted at Cruzes for a negro
hat to ride in. This last article of my travelling equipments seemed
to scandalize the good Panamians not a little.
It was a treat to me, living as I had been for six years in a new
country, to find myself once more among such stately ruins and antique
edifices, as the churches, monasteries, colleges and nunneries, which,
erected upon the first introduction of christianity into Southern
America, are still standing either in part, or entire. My portfolio
will show you with what warmth and enthusiasm I greeted them. The
ruins of the monastery of St. Francesco, and the college of the
Jesuits, are as beautiful specimens of architecture as can be
imagined. They were built with all that taste of design and
gorgeousness of finish, which the founders of them derived from the
Moors of Grenada. I spent much time in wandering among their massive
columns and fallen entablatures, their heavy lofty walls and
sculptured ruins.
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