The Southern Literary Messenger, Vol. II., No. 10, September, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 10, September, 1836
Various
American literature -- 19th century -- Periodicals
But examine a little closer and more attentively this physiognomy; the
expression of it is complex; it is a mixture of pride, indolence, and
irritability. In this you have the whole secret of the talent and the
fortune of this minister. It is almost a miracle that his natural
indolence should have allowed him the ambition to aspire to the first
office of the state; at least, I do not believe that he would have had
the energy to have maintained himself long in that position, if it had
not been disputed. It is because he had been once thrown out, that he
is in office now. In throwing him down, they struck the mainspring of
his strength; so he has rebounded, and in consequence has again raised
himself to power, and re-established himself more solidly and more
obstinately than ever. Such are those natures whose dormant energies
require to be awakened by the lash of insult. In 1834, Lord Melbourne
was but an inert and powerless whig; in 1835 he is a radical whig; he
has made the throne capitulate, he has wounded the church, he
threatens the peerage—why is this? Because you have offended him,
because you have chased him from office. You alone can diminish his
power. His eloquence has no other moving power than that which he
derives from obstacles thrown in his way. Suffer him to go on, to
speak as he pleases—his words will grow feeble, and his speech drag
itself laboriously along; cross his path, throw any thing in his way,
he rebels, he is hurried along, he grows heated, he drags you with
him, he is eloquent! His whole person, his whole soul is wrapped in
his discourse. There is nothing studied, nothing solemn; all is
sudden, involuntary. He, who but a moment since, was so grave, so
subdued, now clinches his hands, now throws his arms out with
violence, now leaps almost from the very floor; his angry declamation,
his accents of indignant contempt proceed from the bottom of his
entrails. Now his passion suffocates him: he no longer breathes; his
discourse is interrupted; a profound silence ensues. At this moment he
exhibits the trembling and magnificently impassioned air of Casimir
Perier.
Lord Melbourne is the most original speaker, and the most peculiar in
either house of parliament; perhaps the most impassioned, if not the
greatest and the most perfect. As a statesman I have great respect for
his moderate character; he is a progressive, bold, and thorough whig;
but he is not a whig—an improvident aristocrat, who never inquires to
what extremities the principles which he has inscribed on his banner
may lead.
Public-domain text, read in full here on John Shaqi.
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