The Southern Literary Messenger, Vol. II., No. 12, November, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 12, November, 1836
Various
American literature -- 19th century -- Periodicals
It bore no dates, but was evidently recently erected. The name I did
not recognize, but the tender, unpretending inscription, sensibly
touched my heart, and I felt a strong desire to know the history of
her whose virtues needed no external record. My friend read my
feelings, and immediately drew my attention to the next tomb-stone. It
bore a long list of lineage, beauty, amiability, &c. &c. and as I read
the long and beautiful detail, I almost questioned the justice of
Omnipotence in thus snatching, in early life, from mortal gaze, so
pure, so beautiful a pattern of every female grace and excellence.
“Only twenty-four,” I exclaimed, “and yet so highly exalted, so much
beloved.” My friend smiled archly and remarked, “Have you seen so much
of the world and not yet learned that real merit rarely has loud
trumpeters?” Her manner surprised me, and I inquired the meaning. It
is too late now, said she, to enter into the narrative about which you
feel so much interested; to-morrow I will relate the history of both
these women, whose tombs are not more strikingly different than were
their lives and characters. United in life by a strange destiny, or
rather by strange circumstances, it is fit that their last dwellings
should be near each other, and that their monuments, like their
characters, should stand forth in striking contrast.
* * * * *
Matilda Clayton was the only daughter of the poor widow who removed to
this village a short time before you left here, and who for years has
taught the village school.
Perhaps you remember the interest her coming gave to all the lovers of
mystery in our circle. She was dressed in black. Her child was about
twelve or fourteen; beautiful as a fairy, and seemingly a visitor from
some etherial sphere—so delicate, so gentle was her every glance and
movement. They brought with them an elegant harp and guitar, and two
richly painted portraits. Of their characters or former home, nothing
could be gathered. She rented that house which you see among those
lofty oaks, and furnished it in a style of neat simplicity and taste.
Soon after she came, she issued proposals for a school, but few at
first seemed disposed to patronize her; and though curiosity was
strongly manifested to know who and what she was, all that could be
gathered was the assertion that she was the widow of an officer, whose
untimely death had left her friendless, and induced her, to seek among
strangers, a home and support. Months passed by, and her correct
deportment—the pure elegance of her manners, and her various
accomplishments, gained her the good-will and confidence of some of
the leading characters in the village, by whose influence a
considerable number of scholars was soon procured. Among her friends
and patrons was Mr. Wilton; and his daughter Clara, then {781} about
the age of Matilda, was the first committed to her care.
Public-domain text, read in full here on John Shaqi.
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