The Southern Literary Messenger, Vol. II., No. 2, January, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 2, January, 1836
Various
American literature -- 19th century -- Periodicals
The "Broken Heart," by Eliza, of Richmond, is a failure. She must not
attempt blank verse for common-place subjects. The verses on "Halley's
Comet" are smooth and passable. The "Reminiscences of Mexico" might as
well have been omitted. These diaries and guide books, are "stale,
flat, and unprofitable." If the writer had given us some insight into
the mysterious ruins and antiquities of Mexico--its romantic
traditions--we would have thanked him. The theme is exciting and
absorbing, and would have been new, and a glorious prize for
immortality. Mr. Poe's "Unpublished Drama" does not suit our taste.
Why eternally ring the changes on those everlasting and hackneyed
Venetian Doges and Italian Counts--latticed balconies, and
verandas--time out of mind exhausted? The "Address on Education" is
puerile, crude, and common-place. We cannot discover its "brilliant
eloquence" nor "impressive energy," spoken of in the critical notice.
The object of it was well enough. The "Wissahiccon," properly handled,
might have been wrought into a stirring historical portrait. The lines
to "Memory," are pretty. Those entitled "Macedoine," have much fire
and power. But "Lionel Granby," is a redeeming chapter worth all the
foregoing. Why not give one-third the magazine to so accomplished a
writer, so original {134} a thinker? The "Dream," is good poetry, for
blank verse, which is saying much. But the "Sketch," by A. L. Beard,
M.D. is superlatively beautiful in melody of rhythm and truth to
nature. Thus:
"The red-breast, mounted on some tow'ring tree,
Is chanting loud his merry, mirthful strain;
And the sweet lark's melodious notes of glee,
Are softly floating o'er the dewy plain.
From the broad fields which wave with golden grain,
Echoes the whistle of the timid quail;
And the loud laughter of the reaper train
Sweeps wildly by, borne on the passing gale
O'er woodland hill afar, and flowery-vested vale."
The lines to "_Mira_" are smooth and full of tender feeling. The
Critical Notices are full as they should be on American productions,
and written with uncommon spirit. The decisions are generally correct,
and we are glad to see the censures so unsparingly, but judiciously
directed against the mawkish style and matter of those ephemeral
productions with which, under the name of _chef-d'œuvres_ in novel
writing, the poor humbugged public are so unmercifully gagged and
bamboozled.
_From the Petersburg Intelligencer_.
Public-domain text, read in full here on John Shaqi.
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