The Southern Literary Messenger, Vol. II., No. 3, February, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 3, February, 1836
Various
American literature -- 19th century -- Periodicals
"Possessing while at the bar, this intellectual elevation, which
enabled him to look down and comprehend the whole ground at once, he
determined immediately and without difficulty, on which side the
question might be most advantageously approached and assailed. In a
bad cause, his art consisted in laying his premises so remotely from
the point directly in debate, or else in terms so general and so
specious, that the hearer, seeing no consequence which could be drawn
from them, was just as willing to admit them as not; but, his premises
once admitted, the demonstration, however distant, followed as
certainly, as cogently, as inevitably, as any demonstration in Euclid.
"All his eloquence consists in the apparently deep self-conviction,
and emphatic earnestness of his manner; the correspondent simplicity
and energy of his style; the close and logical connexion of his
thoughts; and the easy gradations by which he opens his lights on the
attentive minds of his hearers. The audience are never permitted to
pause for a moment. There is no stopping to weave garlands of flowers,
to hang in festoons, around a favorite argument. On the contrary,
every sentence is progressive; every idea sheds new light on the
subject; the listener is kept perpetually in that sweetly pleasurable
vibration, with which the mind of man always receives new truths; the
dawn advances with easy but unremitting pace; the subject opens
gradually on the view; until, rising, in high relief, in all its
native colors and proportions, the argument is consummated, by the
conviction of the delighted hearer."
The following observations on the intellectual character of Judge
Marshall, are from the pen of FRANCIS W. GILMER--one who, had he not
been prematurely cut off by the hand of death, would have ranked with
the foremost men of his age and country.
Public-domain text, read in full here on John Shaqi.
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