It is proper--we are persuaded--that Rienzi should be held up in these many different points of view, if we desire fully to appreciate its own merits and the talents of Mr. Bulwer. But regard it as we will, it is an extraordinary work--and one which leaves nothing farther to accomplish in its own particular region. It is vastly superior to the "Last Days of Pompeii"--more rich--more glowing, and more vigorous. With all and more than all the distinguishing merits of its noble predecessor, it has none of its _chilliness_--none of that platitude which (it would not be difficult to say why) is the inevitable result of every attempt at infusing warmth among the marble wildernesses, and vitality into the statue-like existences, of the too-distantly antique. We will conclude our notice of Rienzi with an Extract. We choose it not with any view of commending it above others--for the book has many equally good and some better--but to give our readers--such of them as have not yet seen the novel, an opportunity of comparing the passage with some similar things in Boccaccio. We may as well say that in all which constitutes good writing the Englishman is infinitely the superior. What we select is Chapter V, of the sixth Book. Irene, the betrothed of the noble Roman Adrian di Castello, being in Florence during the time of the Great Plague, is sought by her lover at the peril of his life. Overpowered by a fever he meets with Irene--but his delirium prevents a recognition. She conveys him to one of the deserted mansions, and officiates as his nurse. Having thrown aside her mantle, under the impression that it retained the infection of the Pestilence, it is found and worn by another. THE ERROR. For three days, the three fatal days, did Adrian remain bereft of strength and sense. But he was not smitten by the scourge which his devoted and generous nurse had anticipated. It was a fierce and dangerous fever, brought on by the great fatigue, restlessness, and terrible agitation he had undergone.