The Southern Literary Messenger, Vol. II., No. 3, February, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 3, February, 1836
Various
American literature -- 19th century -- Periodicals
Dr. Channing's MS. is very excellent. The letters are bold,
well-sized, and beautifully formed. They are, perhaps, too closely
crowded upon one another. One might, with some little acumen, detect
the high finish of Dr. C.'s style of composition in the character of
his chirography. Boldness and accuracy are united with elegance in
both. The paper very good, and wafered.
LETTER XXIII.
_Philadelphia_, ----.
_Dear Sir_,--I must be pardoned for declining to loan the books you
mention. The fact is, I have lost many volumes in this way--and as you
are personally unknown to me you will excuse my complying with your
request.
Yours, &c.
[Illustration: Jos. Hopkinson]
JOSEPH Y. MILLER, ESQ.
This is a very good MS.--forcible, neat, legible, and devoid of
superfluous ornament. Some of the words are run together. The writing
slopes considerably. It is too uniform to be picturesque. The lines
are at equal distances, and a broad margin is on the left of the page.
The chirography is as good at the conclusion as at the commencement of
the letter--a rare quality in MSS.--and evincing _indefatigability_ of
temperament.
LETTER XXIV.
_Washington_, ----.
_Sir_,--Yours of the ---- came duly to hand. I cannot send you what
you wish. The fact is, I have been so pestered with applications for
my autograph, that I have made a resolution to grant one in no case
whatsoever.
Yours, &c.
[Illustration: Wm. Emmons]
JOSEPH Z. MILLER, ESQ.
The writing of the orator is bold, dashing, and chivalrous--the few
words addressed to Mr. Miller occupying a full page. The lines are at
unequal distances, and run diagonally across the letter. Each sentence
is terminated by a long dash--black and heavy. Such an epistle might
write the Grand Mogul. The paper is what the English call silver
paper--very beautiful and wafered.
Public-domain text, read in full here on John Shaqi.
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