The Southern Literary Messenger, Vol. II., No. 3, February, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 3, February, 1836
Various
American literature -- 19th century -- Periodicals
Our hero decides upon adopting the stage as a profession, and with
this view takes lessons in elocution. Having perfected himself in this
art, he applies to a manager, by note, for permission to display his
abilities, but is informed that the nights are engaged for two months
ahead, and it would be impossible for him to appear during the season.
By the influence, however, of some hanger-on of the theatre, his
wishes are at length gratified, and he is announced in the bills as
"the celebrated Master Le Brun, the son of a distinguished English
nobleman, whose success was so unprecedented in London as to have
performed fifty nights in succession at the Theatre Royal, Drury
Lane"--a sentence in which we are at a loss to discover whether the
English nobleman, or the English nobleman's son, or the success of the
English nobleman's son is the distinguished performer in question.
Our adventurer succeeds in his debût, and is in a fair way of becoming
a popular performer, when his prospects are suddenly nipped in the
bud. His valet one morning announces a Sir Thomas Le Brun, and Sir
Thomas Le Brun proves to be that worthy gentleman Sir John Augustus
Frederick Geoffry Ulric, Baronet. A scene ensues. Paul screams, and
Sir John clenches his fist. The father makes a speech, and the son
makes a speech and a bow. At length they fly into each other's arms,
and the drama closes by the old personage taking the young personage
home in his carriage. In all this balderdash about the stage, there is
not one original incident or idea. The same anecdotes are told, but in
infinitely better language, in every book of dramatic reminiscences
since the flood.
Our author now indulges in what we suppose to be satire. The arrows of
his wit are directed, with much pertinacity at least, against one
Borel Bunting, by which name it strikes us that Mr. M. wishes to
indicate some poor devil of an editor in bonâ fide existence--perhaps
some infatuated young person who could not be prevailed upon, by love
or money, to look over the MS. of Paul Ulric. If our supposition be
true, we could wish Mr. Borel Bunting no better revenge than what the
novelist has himself afforded by this public exposure of his
imbecility. We must do our readers the favor of copying for their
especial perusal, a portion of this vehement attack.
Public-domain text, read in full here on John Shaqi.
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