The Southern Literary Messenger, Vol. II., No. 4, March, 1836Various
History
The Southern Literary Messenger, Vol. II., No. 4, March, 1836
Various
American literature -- 19th century -- Periodicals
As soon as young Burns had strength to work, he was employed as a
laborer upon his father's farm. At twelve he was a good ploughman; a
year later he assisted at the threshing-floor; and was his father's
main dependance at fifteen, there being no hired laborers, male or
female, in the family at the time. In one of his letters, (and it is
by extracting copiously from them, that I propose chiefly to narrate
his history,) he remarks upon this subject--"I saw my father's
situation entailed on me perpetual labor: the only two openings by
which I could enter the temple of fortune, were the gate of niggardly
economy, or the path of little, chicaning bargain-making. The _first_
is so contracted an aperture, I never could squeeze myself into it;
the _last_ I _always_ hated--there was contamination in the very
entrance!" And it was this kind of life,--the cheerless gloom of a
hermit, with the unceasing toil of a galley-slave, that brought him
to his sixteenth year, at about which period he first perpetrated the
sin of rhyming. Of this you shall have an account in the author's own
language.
"You know our country custom of coupling a man and woman together as
partners in the labors of harvest. In my fifteenth autumn my partner
was a bewitching creature, a year younger than myself. My scarcity of
English denies me the power of doing her justice in that language;
but you know the Scottish idiom,--_she was a bonnie, sweet, sonsie
lass_. In short, she altogether, unwittingly to herself, initiated me
in that delicious passion, which, in spite of acid disappointment,
rigid prudence, and book-worm philosophy, I hold to be the first of
human joys, our dearest blessing here below! How she caught the
contagion I cannot tell. You medical people--(he was addressing the
celebrated Dr. Moore) you medical people talk much of infection from
breathing the same air, the touch, &c.; but I never expressly said I
loved her. Indeed, I did not know myself why I liked so much to
loiter behind with her, when returning in the evening from our
labors; why the tones of her voice made my heartstrings thrill like
an Eolian harp; and particularly why my pulse beat such a furious
ratan, when I plucked the cruel nettle-stings and thistles from her
little white hand. Among her other love-inspiring qualities, she sung
sweetly; and it was her favorite reel, to which I attempted giving an
embodied vehicle in rhyme. I was not so presumptuous as to imagine
that I could make verses like printed ones, composed by men who had
Greek and Latin: but my girl sung a song, which was said to have been
composed by a country laird's son upon a neighboring maiden with whom
he was in love! and I saw; no reason why I might not rhyme as well as
_he_; for, excepting that he could shear sheep and cast peats, (his
father living in the moorlands,) he had no more _scholar_ craft than
myself."
Public-domain text, read in full here on John Shaqi.
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