The Southern Literary Messenger, Vol. II., No. 4, March, 1836Various
History
The Southern Literary Messenger, Vol. II., No. 4, March, 1836
Various
American literature -- 19th century -- Periodicals
I have had occasion, in the course of this essay, to remark, that the
_songs_ of Burns are, by far, the most finished productions of his
muse: and his admirers may safely rest his fame upon them alone, even
if his longer and more elaborate poems should fail to secure him the
immortality he deserves. The celebrated Fletcher somewhere says,
"Give me the making of a people's _songs_, and let who will make
their laws!" And Burns has, in the composition of _his_ songs, placed
himself on an equality with the legislators of the _world!_ for
where, in the cottage or the palace, are they unsung? Whose blood has
not thrilled, and whose lip has not been compressed, as the noble air
of "Scots! wha hae wi' Wallace bled!" has swelled upon his ear? Who
cannot join in the touching and beautiful chorus of his "Auld lang
syne?" Who has not laughed over his "Willie brewed a peck o' maut,"
nor felt the rising tear of sympathetic sadness whilst listening to
his "Farewell to Ayr!" and his celebrated "Mary in Heaven?" In all
these, and many more, which are familiar as _very proverbs_ in our
mouths, the poet has shown such a versatility, and yet such an
entireness of talent--such tenderness and delicacy in his sorrow--yet
withal, so pure and delightful a rapture in his mirth; he weeps with
so true and feeling a heart, and laughs with such loud, and at the
same time such unaffected mirth, that he finds sympathy wherever his
harp is strung. The subjects he chose, and the free, natural style in
which he treated them, have won him this praise--and it shall endure,
the constant and lasting tribute of generation after generation.
But it has been beautifully said, (and who will not agree in the
sentiment?) that "in the hearts of men of right feelings, there
exists no consciousness of need to plead for Burns. In pitying
admiration, he lies {244} enshrined in all our hearts, in a far
nobler mausoleum than one of marble: neither will his works, even as
they are, pass away from the memory of men. While the Shakspeares and
Miltons roll on like mighty rivers through the country of thought,
bearing fleets of traffickers and assiduous pearl-fishers on their
waves, this little Vauclusa Fountain will also arrest the eye: For
this also is of nature's own and most cunning workmanship, and bursts
from the depths of the earth with a full, gushing current, into the
light of day. And often will the traveller turn aside to drink of its
clear waters, and muse among its rocks and pines."
For Heaven, sweet bard! on thee bestowed
A boon, beyond all name:
And, bounteous, lighted up thy soul
With its own native flame.
Soft may thy gentle spirit rest,
Sweet poet of the plain!
Light lay the green turf on thy breast,
Till it's illum'd again!
CHANGE.
Public-domain text, read in full here on John Shaqi.
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