The Southern Literary Messenger, Vol. II., No. 5, April, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 5, April, 1836
Various
American literature -- 19th century -- Periodicals
While his faculties are still his own, only observe how, with a bark
or snort, he starts if you approach him, and mark what shrewd
intelligence there is in his bright, twinkling little eye; but with
pigs, as with mankind, idleness is the root of all evil. The poor
animal, finding that he has absolutely nothing to do--having no
enjoyment--nothing to look forward to but the pail which feeds him,
naturally most eagerly, or as we accuse him, most greedily, greets
its arrival. Having no natural business or diversion--nothing to
occupy his brain--the whole powers of his system are directed to the
digestion of a superabundance of food. To encourage this, nature
assists him with sleep, which lulling his better faculties, leads
his stomach to become the ruling power of his system--a tyrant that
can bear no one's presence but his own. The poor pig, thus treated,
gorges himself--sleeps--eats again--sleeps--wakens in a
fright--screams--struggles against the blue apron--screams fainter
and fainter--turns up the whites of his little eyes--and--dies!
It is probably from abhorring this picture, that I know of nothing
which is more distressing to me than to witness an indolent man
eating his own home-fed pork.
There is something so horribly similar between the life of the human
being and that of his victim--their notions on all subjects are so
unnaturally contracted--there is such a melancholy resemblance
between the strutting residence in the village, and the stalking
confinement in the sty--between the sound of the dinner-bell and the
rattling of the pail--between snoring in an armchair and grunting in
clean straw--that, when I contrast the "pig's countenance" in the
dish with that of his lord and master, who, with outstretched
elbows, sits leaning over it, I own I always feel it is so hard the
one should have killed the other.--In short there is a sort of "Tu
quoque, BRUTE!" moral in the picture, which to my mind is most
painfully distressing.
The author thus speaks in relation to the mineral water of
Wiesbaden.
Public-domain text, read in full here on John Shaqi.
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