The Southern Literary Messenger, Vol. II., No. 5, April, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 5, April, 1836
Various
American literature -- 19th century -- Periodicals
But in proportion to the
progress made in a game of chess, is the _uncertainty_ of each
ensuing move. A few moves having been made, _no_ step is certain.
Different spectators of the game would advise different moves. All
is then dependant upon the variable judgment of the players. Now
even granting (what should not be granted) that the movements of the
Automaton Chess-Player were in themselves determinate, they would be
necessarily interrupted and disarranged by the indeterminate will of
his antagonist. There is then no analogy whatever between the
operations of the Chess-Player, and those of the calculating machine
of Mr. Babbage, and if we choose to call the former a _pure machine_
we must be prepared to admit that it is, beyond all comparison, the
most wonderful of the inventions of mankind. Its original projector,
however, Baron Kempelen, had no scruple in declaring it to be a
"very ordinary piece of mechanism--a _bagatelle_ whose effects
appeared so marvellous only from the boldness of the conception, and
the fortunate choice of the methods adopted for promoting the
illusion." But it is needless to dwell upon this point. It is quite
certain that the operations of the Automaton are regulated by
_mind_, and by nothing else. Indeed this matter is susceptible of a
mathematical demonstration, _a priori_. The only question then is of
the _manner_ in which human agency is brought to bear. Before
entering upon this subject it would be as well to give a brief
history and description of the Chess-Player for the benefit of such
of our readers as may never have had an opportunity of witnessing
Mr. Maelzel's exhibition.
[Illustration]
The Automaton Chess-Player was invented in 1769, by Baron Kempelen,
a nobleman of Presburg in Hungary, who afterwards disposed of it,
together with the secret of its operations, to its present
possessor. Soon after its completion it was exhibited in Presburg,
Paris, Vienna, and other continental cities. In 1783 and 1784, it
was taken to London by Mr. Maelzel. Of late years it has visited the
principal towns in the United States. Wherever seen, the most
intense curiosity was excited by its appearance, and numerous have
been the attempts, by men of all classes, to fathom the mystery of
its evolutions. The cut above gives a tolerable representation of
the figure as seen by the citizens of Richmond a few weeks ago. The
right arm, however, should lie more at length upon the box, a
chess-board should appear upon it, and the cushion should not be
seen while the pipe is held. Some immaterial alterations have been
made in the costume of the player since it came into the possession
of Maelzel--the plume, for example, was not originally worn.
Public-domain text, read in full here on John Shaqi.
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