The Southern Literary Messenger, Vol. II., No. 6, May, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 6, May, 1836
Various
American literature -- 19th century -- Periodicals
Plate 11 is called "_V'la les restes de notre revolution de Juillet!_"
and like all the other engravings in the volume is admirable in its
design, and especially in its expression. In the back ground are seen
the monuments erected at the _Marché des Innocens_ over some
revolutionary heroes, who fell here and were buried near the {396}
fountain, on the 29th July 1830. A mechanic leans against a rail and
is haranguing with great energy a young girl and a little boy, who
listen to him with profound attention. His theme is evidently the
treatment of the prisoners at the Luxembourg. We cannot too highly
praise the exquisite piquancy of the whole of these designs.
In conclusion, we recommend _Paris and the Parisians_ to all lovers of
fine writing, and vivacious humor. It is impossible not to be highly
amused with the book--and there is by no means any necessity for
giving a second thought to the _political_ philosophies of Madame
Trollope.
PAULDING'S WASHINGTON.
_A Life of Washington. By James K. Paulding. New York: Harper and
Brothers._
We have read Mr. Paulding's Life of Washington with a degree of
interest seldom excited in us by the perusal of any book whatever. We
are convinced by a deliberate examination of the design, manner, and
rich material of the work, that, as it grows in age, it will grow in
the estimation of our countrymen, and, finally, will not fail to take
a deeper hold upon the public mind, and upon the public affections,
than any work upon the same subject, or of a similar nature, which has
been yet written--or, possibly, which may be written hereafter.
Indeed, we cannot perceive the necessity of any thing farther upon the
great theme of Washington. Mr. Paulding has completely and most
beautifully filled the _vacuum_ which the works of Marshall and Sparks
have left open. He has painted the boy, the man, the husband, and the
Christian. He has introduced us to the private affections,
aspirations, and charities of that hero whose affections of all
affections were the most serene, whose aspirations the most God-like,
and whose charities the most gentle and pure. He has taken us abroad
with the patriot-farmer in his rambles about his homestead. He has
seated us in his study and shown us the warrior-Christian in
unobtrusive communion with his God. He has done all this too, and
more, in a simple and quiet manner, in a manner peculiarly his own,
and which mainly because it is his own, cannot fail to be exceedingly
effective. Yet it is very possible that the public may, for many years
to come, overlook the rare merits of a work whose want of arrogant
assumption is so little in keeping with the usages of the day, and
whose striking simplicity and _naiveté_ of manner give, to a cursory
examination, so little evidence of the labor of composition. We have
no fears, however, for the future. Such books as these before us, go
down to posterity like rich wines, with a certainty of being more
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