The Southern Literary Messenger, Vol. II., No. 6, May, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 6, May, 1836
Various
American literature -- 19th century -- Periodicals
were observing him.
In regard to the style of Mr. Paulding's Washington, it would scarcely
be doing it justice to speak of it merely as well adapted to its
subject, and to its immediate design. Perhaps a rigorous examination
would detect an occasional want of euphony, and some inaccuracies of
syntatical arrangement. But nothing could be more out {399} of place
than any such examination in respect to a book whose forcible, rich,
vivid, and comprehensive English, might advantageously be held up, as
a model for the young writers of the land. There is no better literary
manner than the manner of Mr. Paulding. Certainly no American, and
possibly no living writer of England, has more of those numerous
peculiarities which go to the formation of a happy style. It is
questionable, we think, whether any writer of any country combines as
many of these peculiarities with as much of that essential negative
virtue, the absence of affectation. We repeat, as our confident
opinion, that it would be difficult, even with great care and labor,
to improve upon the general manner of the volumes now before us, and
that they contain many long individual passages of a force and beauty
not to be surpassed by the finest passages of the finest writers in
any time or country. It is this striking character in the _Washington_
of Mr. Paulding--striking and peculiar indeed at a season when we are
so culpably inattentive to all matters of this nature, as to mistake
for style the fine airs at second hand of the silliest romancers--it
is this character we say, which should insure the fulfilment of the
writer's principal design, in the immediate introduction of his book
into every respectable academy in the land.
WALSH'S DIDACTICS.
_Didactics--Social, Literary, and Political. By Robert Walsh.
Philadelphia: Carey, Lea, and Blanchard._
Public-domain text, read in full here on John Shaqi.
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