The Southern Literary Messenger, Vol. II., No. 6, May, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 6, May, 1836
Various
American literature -- 19th century -- Periodicals
And again, on page 327, vol. ii.
I have made this comparison as the last means I know of to arouse you
from your American complacency on the subject of the adjectives
_grand_, _majestic_, _elegant_ and _splendid_, in connection with our
architecture. The latter word, in particular, is coming to be used
like a household term; while there is not, probably, a single work of
art, from Georgia to Maine, to which it can with propriety be applied.
I do not know a single edifice in the Union that can be considered
more than third rate by its size and ornaments, nor more than one or
two that ought to be ranked even so high. When it comes to capitals,
and the use of the adjectives I have just quoted, it may be well to
remember, that there is no city in the Republic that has not decidedly
the air and the habits of a provincial town, and this too, usually
without possessing the works of art that are quite commonly found in
this hemisphere, even in places of that rank, or a single public
building to which the term _magnificent_ can with any fitness be
adjudged.
We can only say, that if the suppressed portions of Mr. Cooper's
intended publication embraced any thing more likely than these
assertions and opinions to prove unacceptable to American readers at
large, it is perhaps better, both for his own reputation, and for the
interest of his publishers, that he finally decided upon the
suppression. Yet Mr. Cooper may be right, and not having the fear of
punishment sufficiently before our eyes, we, for ourselves, frankly
confess that we believe him to be right. The passages which remain of
a similar nature to those we have quoted, will only serve we hope, to
give additional piquancy to these admirable Sketches. As a work
affording extensive and valuable information on the subject of
Switzerland, we have seen nothing in any shape, at all equal to the
volumes before us.
The extract we now subjoin, will prove beyond doubt, that the fine
descriptive powers of the author of the Prairie, are in as full vigor
as ever.
Public-domain text, read in full here on John Shaqi.
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