The Southern Literary Messenger, Vol. II., No. 8, July, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 8, July, 1836
Various
American literature -- 19th century -- Periodicals
It was soon settled, that I should spend as much of my leisure time as
I found agreeable, at the house of my new friend. He gave me a sort of
running history of what I might expect to encounter, of noise and
confusion, in a castle populous with brats of all ages and sizes; but,
concluded he, “good humor, like charity, hides all their failings, in
my eyes, at least.” With these prepossessions, you will not be
surprised to learn, that I found his family not only pleasant, but
interesting. Mrs. Ashton was a lady, whose polished and dignified
manners showed that she had moved in the select circle of society,
which she still adorned by the charms of her conversation and the
sweetness of her disposition. Her two eldest sons were settled in
life, and the youngest daughter at a boarding school; but the six
little rioters of grand-children were sufficiently _uproarious_, to
show that the tranquillity of the house must not depend on silence.
I had, on my first entrance into the saloon, remarked a PORTRAIT,
which, with many others, adorned the room, but which, though it hung
in a much less conspicuous light, had, from the first moment I beheld
it, irresistibly attracted my attention. Its subject was a young lady,
apparently not more than sixteen years old. Whenever the conversation
flagged, or my thoughts {490} were free, my eyes insensibly turned to
the charmed spot, and there they would rest, while with a strange
delight, my mind would busy itself in trying to define, and to gift
with “a local habitation and a name,” the deep, overpowering
sympathies its beauty awakened in the mind of the beholder. I can
speak of the effect on my feelings, but words would be inadequate to
express its surpassing loveliness. In beholding it, I could only
exclaim, in the celebrated words of Burke, “There surely never lighted
on this globe a more delightful vision.” To describe the features
separately, would give you no idea of the bewitching harmony of the
whole expression. “Her eyes dark charm 'twere vain to tell.” Their
light seemed as emanated from the celestial world, and while you were
gazing on it, your soul appeared to catch something of the beatific
vision. And yet this heavenly being seemed not sublimated beyond the
affections of earth—No, the rainbow of hope and love looked as it were
spanning a dark cloud, which might blot it out forever. This
fascination continued from day to day, and yet no remark or inquiry
was made as to the original of the portrait. I felt as if there were
something mysterious or sacred about it, and that it would be
intruding into the sanctuary of private feelings, to show any
curiosity on the subject. None of the family ever alluded to it,
though they must have observed the deep interest with which I regarded
it.
Public-domain text, read in full here on John Shaqi.
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