This novel is written by Mr. James S. French, of Jerusalem, Virginia—the author, we believe, of “_Eccentricities of David Crockett_,” a book of which we know nothing beyond the fact of its publication. The plot of _Elkswatawa_ is nearly as follows. About the period when rumors were abroad in our frontier settlements, and elsewhere, of contemplated hostilities by the Indians under Tecumseh, one Mr. Richard Rolfe, “a high-toned and chivalrous Virginian,” is a resident of Petersburg. He is left an orphan in early life—is educated under the guidance of an uncle, completes a course of studies at William and Mary, and finally practises law. His uncle now dying, he is left pennyless; and his want of perseverance precludes any hope of professional advancement. In this dilemma he falls in love. The young lady is “a gentle, quiet, little creature,” has hazel eyes, auburn hair, and “the loveliest face my eyes ever beheld.” Moreover, she is “intellectual without being too much book-learned, kind without seeming to intend it, and artless without affectation.” “Not a dog” says Mr. French, “but read her countenance aright, and would follow her until he obtained his dinner.” Besides all this, she has some little {590} property, a penchant for Mr. Richard Rolfe, and a very pretty appellation, which is Gay Foreman. But that the course of true love may not run altogether smooth, the young lady's father “knows a thing or two,” and will have nothing to do with our hero. The damsel too refuses to run away with him, and so he is forced to run away by himself. In a word, he resolves “to leave the scene of his unhappiness and seek a home in the western wilds.” “Oh poverty! poverty!” says Mr. Richard Rolfe, in throwing his leg over the saddle, “how often hast thou been sketched in some humble sphere, as fascinating in the extreme—and indeed lovely art thou—_in the abstract!_”—a very neat and very comfortable little piece of positive fact, or as Ben D'Israeli would call it—of æsthetical psychology.