"Yes," he answered; "but why do you want me to ask her?"
"Because I want her to come."
CHAPTER XVII
CHARITY
In these democratic days a very democratic theory has exploded. Not so
very long ago we believed, or made semblance of belief, that it is
useless to put a high price upon a ticket with the object of securing
that selectness for which the high-born crave. "If they want to come,"
Lady Champignon (wife of Alderman Champignon) would say, "they do not
mind paying the extra half-guinea."
But Lady Champignon was wrong. It is not that the self-made man cannot
or will not pay two guineas for a ball-ticket. It is merely that, in his
commercial way, he thinks that he will not have his money's worth, and
therefore prefers keeping his two guineas to spend on something more
tangible--say food. The nouveau riche never quite purges his mind of the
instinct commercial, and it therefore goes against the grain to pay
heavily for a form of entertainment which his soul had not the
opportunity of learning to love in its youth. The aristocrat, on the
other hand, has usually been brought up to the cultivation of enjoyment,
and he therefore spends with perfect equanimity more on his pleasure
than the bourgeois mind can countenance.
The ball to which Paul and Etta were going was managed by some titled
ladies who knew their business well. The price of the tickets was
fabulous. The lady patronesses of the great Charity Ball were tactful
and unabashed. They drew the necessary line (never more necessary than
it is to-day) with a firm hand.
The success of the ball was therefore a foregone conclusion. In French
fiction there is invariably a murmur of applause when the heroine enters
a room full of people, which fact serves, at all events, to show the
breeding and social status of persons with whom French novelists are in
the habit of associating. There was therefore no applause when Paul and
Etta made their appearance, but that lady had, nevertheless, the
satisfaction of perceiving glances, not only of admiration, but of
interest and even of disapproval, among her own sex. Her dress she knew
to be perfect, and when she perceived the craning pale face of the
inevitable lady-journalist, peering between the balusters of a gallery,
she thoughtfully took up a prominent position immediately beneath that
gallery, and slowly turned round like a beautifully garnished joint
before the fire of cheap publicity.
Public-domain text, read in full here on John Shaqi.
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