Never did government department function so ill as that which contained
Madeleine, as the ten thousand charitable maidens prepared themselves
for the fray. Madeleine entered into the affair rather than make herself
conspicuous. She had no sentiment about other people’s soldiers, no
anxiety to please men who did not interest her. But she went, took her
number, arranged herself with sense and taste, and found a little
comfort from looking nice. She managed to get a double supply of gifts
and send one lot to her brother Marcel, hoping that it might bring a
sign from him in his German prison.
The day came. Released at an early hour, the girls dispersed to costume
themselves. The short-sleeved tunic of thin white material, with its
girdle of artificial ivy leaves, suited Madeleine. Even Monsieur and
Madame Petit, never prodigal of praise, admitted that she looked well.
When she arrived at the rendezvous, she created some sensation. The
uniform dress brought out precisely her better proportions and carriage,
all her good looks that depended on health and hard work. As the lorries
that were to take them to their places swung alongside the pavement, one
of the girls said of her, “That great Flanders mare ought to have two
seats allowed her!” but the very spite of the speech was a compliment to
Madeleine. They were set down on the steps of one of those great palaces
of stone, common in Paris, that had been aroused from centuries of
slumber by the War, and now sheltered hundreds of narrow white beds.
Among these, up and down great vistas of ward and corridor, the girls
processed, music in front, bearers of lighted candles behind. The fête,
designed by a lady of cosmopolitan education, just then very intimate
with Dantrigues, had elements of English carol-singing and German
Christmas-tree effect, mixed with French delight in spectacle and
uniform. Then the girls were divided into pairs, and given so many beds
each for the distribution of gifts.
Public-domain text, read in full here on John Shaqi.
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