The Spectator, Volume 1: Eighteenth-Century Periodical EssaysSteele, Richard, Sir
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The Spectator, Volume 1: Eighteenth-Century Periodical Essays
Steele, Richard, Sir
English essays -- 18th century -- Periodicals
No. 61. Thursday, May 10, 1711. Addison.
'Non equidem studeo, bullalis ut mihi nugis
Pagina turgescal, dare pondus idonea fumo.'
Pers.
There is no kind of false Wit which has been so recommended by the
Practice of all Ages, as that which consists in a Jingle of Words, and
is comprehended under the general Name of _Punning_. It is indeed
impossible to kill a Weed, which the Soil has a natural Disposition to
produce. The Seeds of Punning are in the Minds of all Men, and tho' they
may be subdued by Reason, Reflection and good Sense, they will be very
apt to shoot up in the greatest Genius, that is not broken and
cultivated by the Rules of Art. Imitation is natural to us, and when it
does not raise the Mind to Poetry, Painting, Musick, or other more noble
Arts, it often breaks out in Punns and Quibbles.
_Aristotle_, in the Eleventh Chapter of his Book of Rhetorick, describes
two or three kinds of Punns, which he calls Paragrams, among the
Beauties of good Writing, and produces Instances of them out of some of
the greatest Authors in the _Greek_ Tongue. _Cicero_ has sprinkled
several of his Works with Punns, and in his Book where he lays down the
Rules of Oratory, quotes abundance of Sayings as Pieces of Wit, which
also upon Examination prove arrant Punns. But the Age in which _the
Punn_ chiefly flourished, was the Reign of King _James_ the First. That
learned Monarch was himself a tolerable Punnster, and made very few
Bishops or Privy-Counsellors that had not some time or other signalized
themselves by a Clinch, or a _Conundrum_. It was therefore in this Age
that the Punn appeared with Pomp and Dignity. It had before been
admitted into merry Speeches and ludicrous Compositions, but was now
delivered with great Gravity from the Pulpit, or pronounced in the most
solemn manner at the Council-Table. The greatest Authors, in their most
serious Works, made frequent use of Punns. The Sermons of Bishop
_Andrews_, and the Tragedies of _Shakespear_, are full of them. The
Sinner was punned into Repentance by the former, as in the latter
nothing is more usual than to see a Hero weeping and quibbling for a
dozen Lines together.
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