The Spectator, Volume 1: Eighteenth-Century Periodical EssaysSteele, Richard, Sir
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The Spectator, Volume 1: Eighteenth-Century Periodical Essays
Steele, Richard, Sir
English essays -- 18th century -- Periodicals
[Footnote 1: Dryden's play of 'Sir Martin Mar-all' was produced in 1666.
It was entered at Stationers' Hall as by the duke of Newcastle, but
Dryden finished it. In Act 5 the foolish Sir Martin appears at a window
with a lute, as if playing and singing to Millicent, his mistress, while
his man Warner plays and sings. Absorbed in looking at the lady, Sir
Martin foolishly goes on opening and shutting his mouth and fumbling on
the lute after the man's song, a version of Voiture's 'L'Amour sous sa
Loi', is done. To which Millicent says,
'A pretty-humoured song--but stay, methinks he plays and sings still,
and yet we cannot hear him--Play louder, Sir Martin, that we may have
the Fruits on't.']
[Footnote 2: Handel had been met in Hanover by English noblemen who
invited him to England, and their invitation was accepted by permission
of the elector, afterwards George I., to whom he was then Chapel-master.
Immediately upon Handel's arrival in England, in 1710, Aaron Hill, who
was directing the Haymarket Theatre, bespoke of him an opera, the
subject being of Hill's own devising and sketching, on the story of
Rinaldo and Armida in Tasso's 'Jerusalem Delivered'. G. Rossi wrote the
Italian words. 'Rinaldo', brought out in 1711, on the 24th of February,
had a run of fifteen nights, and is accounted one of the best of the 35
operas composed by Handel for the English stage. Two airs in it, 'Cara
sposa' and 'Lascia ch'io pianga' (the latter still admired as one of the
purest expressions of his genius), made a great impression. In the same
season the Haymarket produced 'Hamlet' as an opera by Gasparini, called
'Ambleto', with an overture that had four movements ending in a jig. But
as was Gasparini so was Handel in the ears of Addison and Steele. They
recognized in music only the sensual pleasure that it gave, and the
words set to music for the opera, whatever the composer, were then, as
they have since been, almost without exception, insults to the
intellect.]
[Footnote 3: Addison's spelling, which is as good as ours, represents
what was the true and then usual pronunciation of the name of Haendel.]
[Footnote 4: The Pied Piper of Hamelin (i.e. Hameln).
'Hamelin town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side.'
The old story has been annexed to English literature by the genius of
Robert Browning.]
[Footnote 5: Evelyn, in the preface to his translation of Quintinye's
'Complete Gardener' (1701), says that the nursery of Messrs. London and
Wise far surpassed all the others in England put together. It exceeded
100 acres in extent. George London was chief gardener first to William
and Mary, then to Queen Anne. London and Wise's nursery belonged at this
time to a gardener named Swinhoe, but kept the name in which it had
become famous.]
* * * * *
No. 6. Wednesday, March 7, 1711. Steele.
Public-domain text, read in full here on John Shaqi.
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