The Spectator, Volume 1: Eighteenth-Century Periodical EssaysSteele, Richard, Sir
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The Spectator, Volume 1: Eighteenth-Century Periodical Essays
Steele, Richard, Sir
English essays -- 18th century -- Periodicals
'Nor think, though Men were none,
That Heav'n would want Spectators, God want praise:
Millions of spiritual Creatures walk the Earth
Unseen, both when we wake and when we sleep;
All these with ceaseless Praise his Works behold
Both Day and Night. How often from the Steep
Of echoing Hill or Thicket, have we heard
Celestial Voices to the midnight Air,
Sole, or responsive each to others Note,
Singing their great Creator: Oft in bands,
While they keep Watch, or nightly Rounding walk,
With heav'nly Touch of instrumental Sounds,
In full harmonick Number join'd, their Songs
Divide the Night, and lift our Thoughts to Heav'n.'
C.
[Footnote 1: who]
[Footnote 2: 'Paradise Lost', B. IV., lines 675-688.]
[Footnote 3: In Bk. I. of the 'Works and Days,' description of the
Golden Age, when the good after death
Yet still held state on earth, and guardians were
Of all best mortals still surviving there,
Observ'd works just and unjust, clad in air,
And gliding undiscovered everywhere.
'Chapman's Translation'.]
* * * * *
No. 13. Thursday, March 15, 1711. Addison.
'Dic mi hi si fueris tu leo qualis eris?'
Mart.
There is nothing that of late Years has afforded Matter of greater
Amusement to the Town than Signior _Nicolini's_ Combat with a Lion in
the _Hay-Market_ [1] which has been very often exhibited to the general
Satisfaction of most of the Nobility and Gentry in the Kingdom of _Great
Britain_. Upon the first Rumour of this intended Combat, it was
confidently affirmed, and is still believed by many in both Galleries,
that there would be a tame Lion sent from the Tower every Opera Night,
in order to be killed by _Hydaspes_; this Report, tho' altogether
groundless, so universally prevailed in the upper Regions of the
Play-House, that some of the most refined Politicians in those Parts of
the Audience, gave it out in Whisper, that the Lion was a Cousin-German
of the Tyger who made his Appearance in King _William's_ days, and that
the Stage would be supplied with Lions at the public Expence, during the
whole Session. Many likewise were the Conjectures of the Treatment which
this Lion was to meet with from the hands of Signior _Nicolini_; some
supposed that he was to Subdue him in _Recitativo_, as _Orpheus_ used to
serve the wild Beasts in his time, and afterwards to knock him on the
head; some fancied that the Lion would not pretend to lay his Paws upon
the Hero, by Reason of the received Opinion, that a Lion will not hurt a
Virgin. Several, who pretended to have seen the Opera in _Italy_, had
informed their Friends, that the Lion was to act a part in _High Dutch_,
and roar twice or thrice to a thorough Base, before he fell at the Feet
of _Hydaspes_. To clear up a Matter that was so variously reported, I
have made it my Business to examine whether this pretended Lion is
really the Savage he appears to be, or only a Counterfeit.
Public-domain text, read in full here on John Shaqi.
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