"I am wrong to agitate myself thus; she will not marry; she has promised
it; and then have I not the testament in my own hands? But Hochstetter
knows it; he possesses proofs of its existence. I fear he has a copy of
it. Oh! he knows very well what he has done! My daughter, the wife of
his son--_le misérable_! To abuse thus my friendship, my confidence;
that calls for revenge. But no, I have merited it; it is my fault. She
loves the son and respects the father more than she does me. I could cry
with rage."
Pronouncing these words with ferocity he fell back upon his seat, somber
and discouraged, and remained plunged in thought.
VI
A half hour later, when he judged that all were wrapped in slumber he
rose, took from a secret compartment of his escritoire a little key,
lighted a dark lantern, and left the room. After having assured himself
that there was no fear of meeting any one, he advanced softly and
descended the staircase. Arriving in the spacious corridor, he first
went to the street door to assure himself that it was solidly fastened,
returned, opened another door at the end of the corridor, and descended
the stairs which led into the cellar. The dwelling of the miser was very
large; the cellars extended under the street, forming a species of
labyrinth. His father had constructed them upon a vast scale in order
that they might serve as storehouses in times of trouble. Frügger went
through them with a sure step which proved sufficiently that all the
nooks and corners were familiar to him. After having traversed several
of these subterranean chambers, he stopped suddenly before one of the
last, and listened attentively, to assure himself that the same silence
continued to reign, and that no one would come to interrupt him. As all
remained tranquil he advanced towards one of the angles of the vault.
This angle differed in no respect from the others; the walls were as
damp and as dark, but hardly had Frügger introduced the little key into
an imperceptible opening, which no one but himself could distinguish,
when a solid iron door turned upon its hinges, opened, and permitted him
to pass into another vault of which no one would have suspected the
existence. After having listened anxiously and persuaded himself that no
one watched him, he entered; the massive door shut behind him with a
loud clang that sounded through the subterranean apartments. A second
after the silence of death reigned throughout the dwelling.
[Illustration: INTERIOR OF AN OLD HOUSE, ANTWERP.]
Public-domain text, read in full here on John Shaqi.
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