The bed of Quentin was one of thorns that night, as he threw himself
upon it and yielded to his agony of thought. How vainly, yet how
ardently had he loved, how industriously had he laboured to procure her
affection. Just when he had achieved the victory over her confiding
heart, all that he struggled for was lost--no, not lost--he could bear
the thoughts of her death, he could weep over her grave, he could care
for the flowers above it, but to think that the prize must be torn from
him to be given to another's embrace, there was madness in it. And then
van Deg, that rough, haughty, distant man! how unworthy he to possess a
jewel of such value, how unfit to care for such a tender plant, how
unsuitable his unsocial spirit for the angel who needed some congenial
soul to insure her happiness.
"Will she not droop and die in that cold atmosphere with him?" he asked
himself, as at length exhausted nature yielded to weariness and he fell
asleep.
The mind, however, yielded not to the fatigue of the body; on the
contrary it seemed to have more abundant vitality. Quentin dreamed he
was in the street. The bells rang, the people shouted, and gay equipages
passed by. It was a day of public rejoicing, for Elzia, the daughter of
Algini, was to wed van Deg, the nation's favourite, the celebrated
painter. People recounted the scenes he had delineated and lauded the
artist to the skies. Quentin trembled and the cold perspiration gathered
on his forehead as the nuptial cavalcade approached. They halted at the
chapel and the groom conducted the bride all pale and trembling up the
aisle to the altar. As the father was about giving his daughter away,
Quentin rushed up and seized her; she shrieked and fell dead in his
embrace. Her relatives and the priest all gazed in horror! Quentin
raised his eyes, saw the misery in their countenances, and as his face
fell upon the bosom of his lovely burden he expired--and at that moment
awoke.
Still the people were before his eyes, fresh in his recollection as if
he had beheld the awful scenes by the noonday sun. Impelled by an
unaccountable impulse he arose and lighted his lamp, and taking a coal
from the extinguished embers in his chimney, he commenced a picture of
this scene upon the wall. He drew each face, recoiling in surprise at
the perfect resemblance to the individuals. As he finished the outline
he beheld in it a faithful transfer of his dream, wanting nothing but
colour. A thousand thoughts darted through his brain. He flung himself
on his bed, and when he next awoke the rays of the sun had gilded his
apartment. His first object was to seek the mural picture, and he
trembled lest it had all been a dream, but there it stood as if executed
by a magic power.
"If this is the result of an effort with charcoal," cried he, striking
his breast in a delirium of joy, "what might I not effect with other
means? What might be my reward?"
Public-domain text, read in full here on John Shaqi.
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